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Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

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  1. Samling/
  2. Kunstpalast/
  3. Stille Harmonie
Stille Harmonie, Wassily Kandinsky, 1924
Vasily Kandinsky, portrætVasily KandinskyFrankrig, 1866–1944

Stille Harmonie

1924 · Painting

Må man se det?

Ukendt

Kunstpalast

Düsseldorf, Tyskland

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
27. sep. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

1924 · 58 år gammel
18661944

I kataloget

MalerierRussisk maleriSovjetisk maleriFransk maleriTysk maleriModernisme1900-tallet

Kilder

  • Kunstpalast
  • Billede: Kunstpalast — In Copyright

Imens i livet hos Vasily Kandinsky

Hele livet
  1. summer 1922

    Teacher at the Bauhaus

    From the summer of 1922 Kandinsky worked at the Bauhaus and became a leading theorist of the school. In the interwar years he gained worldwide recognition as one of the leaders of abstract art.

  2. 1922–1933

    Employed by: Bauhaus

  3. 1923

    The Blue Four

    At the instigation of Galka Scheyer, Kandinsky, Paul Klee, Lyonel Feininger and Alexej von Jawlensky formed the group the Blue Four; from 1924 Scheyer promoted their work in the United States.

  4. 1925

    The Bauhaus leaves Weimar for Dessau

    Because of right-wing hostility the Bauhaus left Weimar for Dessau.

  5. 1926

    “Point and Line to Plane” is published

    His study of form, particularly of points and lines, led to the publication of his second theoretical book; his examination of the effect of forces on straight lines coincided with the research of the Gestalt psychologists, also discussed at the Bauhaus.

Mere af Vasily Kandinsky

Alle værker
Study for Improvisation V, Vassily Kandinsky, 1910

Study for Improvisation V

1910 · Minneapolis Institute of Art

Improvisation 27 (Garden of Love II), Vasily Kandinsky, 1912

Improvisation 27 (Garden of Love II)

1912 · Metropolitan Museum of Art

Nymphenburg, Vassily Kandinsky, 1904

Nymphenburg

1904 · Minneapolis Institute of Art

Импровизация 11, Vasily Kandinsky, 1910

Импровизация 11

1910 · Det Russiske Museum

Improvisation 31 (Sea Battle), Wassily Kandinsky, 1913

Improvisation 31 (Sea Battle)

1913 · National Gallery of Art

Синий гребень, Vasily Kandinsky, 1917

Синий гребень

1917 · Det Russiske Museum

Два овала, Vasily Kandinsky, 1919

Два овала

1919 · Det Russiske Museum

Improvisation No. 30 (Cannons), Vasily Kandinsky, 1913

Improvisation No. 30 (Cannons)

1913 · Art Institute of Chicago

Fra samlingen: Kunstpalast

Museets side
Männer im Kampf mit einer Schlange, Michelangelo, 1525–1535

Michelangelo

Männer im Kampf mit einer Schlange, 1525–1535

Die Eherne Schlange, Michelangelo, 1525–1535

Michelangelo

Die Eherne Schlange, 1525–1535

Wasserträgerin, Raphael

Raphael

Wasserträgerin

Acht sitzende Bischöfe, Raphael

Raphael

Acht sitzende Bischöfe

Studie eines knieenden Kardinalbischofs und zweier Kardinaldiakone, Raphael

Raphael

Studie eines knieenden Kardinalbischofs und zweier Kardinaldiakone

Dame im Morgengewande, Gustav Klimt, 1896

Gustav Klimt

Dame im Morgengewande, 1896

Liegende nackte Frau ("La Negresse Couché"), Rembrandt, 1658

Rembrandt van Rijn

Liegende nackte Frau ("La Negresse Couché"), 1658

Liegende nackte Frau ("La Negresse Couché"), Rembrandt, 1658

Rembrandt van Rijn

Liegende nackte Frau ("La Negresse Couché"), 1658