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Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

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  1. Samling/
  2. Harvard Art Museums/
  3. Simplon Pass
Simplon Pass, Joseph Mallord William Turner, c. 1850
Joseph Mallord William Turner, portrætJoseph Mallord William TurnerStorbritannien, 1775–1851

Simplon Pass

c. 1850 · Drawing

Må man se det?

Ja, det tager imod

Harvard Art Museums

Cambridge, USA

Sal3500, floor 3, Special Exhibitions Gallery

Udstillet for publikum. Hvem der står inde for det, står nedenfor.

Kontrolleret
for 3 dage siden
Uændret siden
27. sep. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

c. 1850
17751851
Inventarnummer
1954.133

I kataloget

Tegninger & akvarellerGouacheRealisme1800-talletStorbritannien

Kilder

  • Harvard Art Museums
  • Billede: Harvard Art Museums — © President and Fellows of Harvard College

Imens i livet hos Joseph Mallord William Turner

Hele livet
  1. 1830–1840s

    Criticism in the 1830s–1840s and Ruskin’s defence

    His innovative works, bordering on abstraction, gave him a reputation for madness: the Victorian public preferred realism and sentimentality, and Queen Victoria refused to knight him. John Ruskin came to his defence, calling him “the greatest artist of all time”.

  2. 1845–1851

    Life as “Mr Booth” in Chelsea

    In his seventies he formed a relationship with the widow Sophia Caroline Booth and often stayed with her, under the pseudonym “Mr Booth” or “Admiral Booth”, in her house at 6 Davis’s Place (now Cheyne Walk) in Chelsea, where he died in 1851.

  3. 1851

    Bequeaths some 300 paintings to the nation

    In an unprecedented gesture he bequeathed to the nation about 100 finished and 200 unfinished oil paintings, over 19,000 sketches, drawings and watercolours and some 200 sketchbooks; he specified that a special gallery should be built for them, and his will included a donation of £140,000 in investments and property to help painters.

  4. 19 December 1851

    Death in Sophia Booth’s house; his last words

    He died, reportedly of cholera, in the house of Sophia Caroline Booth on Cheyne Walk in Chelsea; his last words are apparently “The Sun is God”. He is buried in St Paul’s Cathedral next to Sir Joshua Reynolds.

  5. 19. december 1851

    Died

Mere af Joseph Mallord William Turner

Alle værker
Whalers, Joseph Mallord William Turner, ca. 1845

Whalers

ca. 1845 · Metropolitan Museum of Art

The Junction of the Thames and the Medway, Joseph Mallord William Turner, 1807

The Junction of the Thames and the Medway

1807 · National Gallery of Art

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811

Saltash with the Water Ferry, Cornwall

1811 · Metropolitan Museum of Art

Mortlake Terrace, Joseph Mallord William Turner, 1827

Mortlake Terrace

1827 · National Gallery of Art

Rotterdam Ferry-Boat, Joseph Mallord William Turner, 1833

Rotterdam Ferry-Boat

1833 · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Venice: The Dogana and San Giorgio Maggiore

1834 · National Gallery of Art

Keelmen Heaving in Coals by Moonlight, Joseph Mallord William Turner, 1835

Keelmen Heaving in Coals by Moonlight

1835 · National Gallery of Art

Venice, from the Porch of Madonna della Salute, Joseph Mallord William Turner, ca. 1835

Venice, from the Porch of Madonna della Salute

ca. 1835 · Metropolitan Museum of Art

I samme sal · Gallery 3500, floor 3, Special Exhibitions Gallery, Harvard Art Museums

Museets side
The Wood Chopper (Le coup de grace), Ferdinand Hodler, c. 1910

Ferdinand Hodler

The Wood Chopper (Le coup de grace), c. 1910

Olive Trees, Corfu, John Singer Sargent, 1909

John Singer Sargent

Olive Trees, Corfu, 1909

The Pond, Honfleur, France, Félix Vallotton, 1909

Félix Edouard Vallotton

The Pond, Honfleur, France, 1909

Leuvehaven, Rotterdam (seen from the Leuvebrug on the Zeevischmarkt), Johan Hendrik van Mastenbroek, 1909

Johan Hendrik van Mastenbroek

Leuvehaven, Rotterdam (seen from the Leuvebrug on the Zeevischmarkt), 1909

Sketchbook, Henri-Edmond Cross, 1897

Henri Edmond Cross

Sketchbook, 1897

Sketchbook, Henri-Edmond Cross, 1897

Henri Edmond Cross

Sketchbook, 1897

Landscape, Eragny, Camille Pissarro, 1890

Camille Jacob Pissarro

Landscape, Eragny, 1890

Landscape with an Orange Tree, Claude Emile Schuffenecker, 1889-1891

Claude Emile Schuffenecker

Landscape with an Orange Tree, 1889-1891