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Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

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ForsideKortKatalog
  1. Samling/
  2. Musée Gustave-Moreau/
  3. Sémélé
Sémélé, Gustave Moreau, 1889 vers
Gustave Moreau, portrætGustave MoreauFrankrig, 1826–1898

Sémélé

1889 vers · Painting · 19 × 12.5 cm

Må man se det?

Ukendt

MG
Musée Gustave-Moreau

Paris, Frankrig

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
5. okt. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

1889 vers · 63 år gammel
18261898
Inventarnummer
Cat. 180

Hvad det viser

Scène mythologique (trône : Jupiter, Sémélé, Pan : aile, allégorie : mort, douleur, colonne)

I kataloget

MalerierOlieFransk maleriImpressionisme1800-talletFrankrig

Kilder

  • Musée Gustave-Moreau
  • Billede: Musée Gustave-Moreau — © R.G. Ojeda ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde

Imens i livet hos Gustave Moreau

Hele livet
  1. 1859–1888 · Virkested

    Paris

  2. 1888

    Travel: Belgium

  3. 1888

    Travel: Netherlands

  4. 1888–1898 · Virkested

    Paris

  5. 28 March 1890

    The death of Alexandrine Dureux

    Alexandrine Dureux died on 28 March 1890 after five months of deteriorating health, and Moreau was at her bedside. He bought back from her heirs the watercolours he had given her and some furniture, placing them in a room of his house in her memory, and designed her tombstone himself, engraved with their interlaced initials. Both deaths reinforced his isolation, and his work took on an even greater melancholic edge.

  6. October 1891 – January 1892

    Takes over Delaunay’s studio at the École des Beaux-Arts

    On his deathbed Élie Delaunay asked Moreau to succeed him and direct one of the school’s main ateliers. Moreau reluctantly took the class on a temporary basis in October 1891, but in January 1892, at the age of sixty-five, he accepted the appointment of professor and atelier director.

Mere af Gustave Moreau

Alle værker
Oedipus and the Sphinx, Gustave Moreau, 1864

Ødipus og Sfinksen

1864 · Metropolitan Museum of Art

Dejanira (Autumn), Gustave Moreau, about 1872–1873

Dejanira (Autumn)

about 1872–1873 · J. Paul Getty Museum

Salome with the Head of John the Baptist, Gustave Moreau, ca. 1876

Salome with the Head of John the Baptist

ca. 1876 · Metropolitan Museum of Art

Hercules and the Lernaean Hydra, Gustave Moreau, 1875–76

Hercules and the Lernaean Hydra

1875–76 · Art Institute of Chicago

Jacob and the Angel, Gustave Moreau, 1874-1878

Jacob and the Angel

1874-1878 · Harvard Art Museums

The Infant Moses, Gustave Moreau, c. 1876-c. 1878

The Infant Moses

c. 1876-c. 1878 · Harvard Art Museums

The Apparition, Gustave Moreau, 1876-1877

The Apparition

1876-1877 · Harvard Art Museums

The Sirens, Gustave Moreau, 1882

The Sirens

1882 · Harvard Art Museums