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Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

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ForsideKortKatalog
  1. Samling/
  2. Albertina/
  3. Seinebrücke
Seinebrücke, Paul Signac, 1890
Paul Signac, portrætPaul SignacFrankrig, 1863–1935

Seinebrücke

1890 · Print

Må man se det?

Ukendt

Albertina

Wien, Østrig

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
27. sep. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

1890 · 27 år gammel
18631935

I kataloget

GrafikImpressionisme1800-tallet

Kilder

  • Albertina
  • Billede: Albertina — Public Domain Mark 1.0

Imens i livet hos Paul Signac

Hele livet
  1. 1888

    Discovering anarchist ideas

    In 1888 Signac discovers anarchist ideas by reading Élisée Reclus, Kropotkin and Jean Grave; with his friends Charles Angrand, Henri-Edmond Cross, Maximilien Luce and Camille Pissarro he contributes to Grave's paper, Les Temps Nouveaux (New Times). Politically he remains an anarchist, as were many of his friends, among them Félix Fénéon.

  2. March 1889

    A visit to Van Gogh in Arles

    In March 1889 Signac visits Van Gogh at Arles; he had met him in Paris in 1886 and had travelled with him to Asnières in 1887.

  3. 1890

    The XX banquet in Brussels: the duel that never was

    At the banquet of the XX exhibition in Brussels in 1890, Toulouse-Lautrec challenges to a duel the artist Henri de Groux, who had criticized Van Gogh's work; Signac declares that he will carry on fighting for Van Gogh's honor if Lautrec is killed. De Groux apologizes and leaves, and the duel never takes place.

  4. 1891

    A short trip to Italy

    In 1891 Signac makes a short trip to Italy, seeing Genoa, Florence and Naples.

  5. 1892

    Down the Garonne to the Mediterranean — to Saint-Tropez

    In 1892 Signac sails down the Garonne to the Mediterranean and spends time in Saint-Tropez. The Mediterranean coast becomes a major theme of his painting: each summer he leaves the capital for the south of France, for Collioure or Saint-Tropez, envisioning it as the perfect location for a future anarchist utopia.

  6. 1892

    Married: Berthe Roblès

Mere af Paul Signac

Alle værker
Snow, Boulevard de Clichy, Paris, Paul Signac, 1886

Snow, Boulevard de Clichy, Paris

1886 · Minneapolis Institute of Art

The Town Beach, Collioure, Opus 165 (Collioure. La Plage de la ville. Opus 165), Paul Signac, 1887

The Town Beach, Collioure, Opus 165 (Collioure. La Plage de la ville. Opus 165)

1887 · Metropolitan Museum of Art

The Jetty at Cassis, Opus 198, Paul Signac, 1889

The Jetty at Cassis, Opus 198

1889 · Metropolitan Museum of Art

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890, Paul Signac, 1890

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890

1890 · Museum of Modern Art

Notre-Dame de la Garde (La Bonne Mère), Marseille, Paul Signac, 1905–6

Notre-Dame de la Garde (La Bonne Mère), Marseille

1905–6 · Metropolitan Museum of Art

Port de Marseilles, Paul Signac, 1907

Port de Marseilles

1907 · Eremitagen

Blessing of the Tuna Fleet at Groix, Paul Signac, 1923

Blessing of the Tuna Fleet at Groix

1923 · Minneapolis Institute of Art

Les Andelys, Côte d'Aval, Paul Signac, 1886

Les Andelys, Côte d'Aval

1886 · Art Institute of Chicago

Fra samlingen: Albertina

Museets side
Zwei groteske Köpfe im Profil, Leonardo da Vinci

Leonardo da Vinci

Zwei groteske Köpfe im Profil

Landschaft mit Haus und Bäumen, Vincent van Gogh

Vincent van Gogh

Landschaft mit Haus und Bäumen

Friedhof im Regen, Vincent van Gogh

Vincent van Gogh

Friedhof im Regen

Studien eines erhobenen Armes mit Schultergelenk, Michelangelo

Michelangelo

Studien eines erhobenen Armes mit Schultergelenk

Studien eines weiblichen sitzenden Rückenakts, Michelangelo

Michelangelo

Studien eines weiblichen sitzenden Rückenakts

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien, Michelangelo

Michelangelo

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina"), Michelangelo

Michelangelo

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina")

Beweinung Christi, Michelangelo

Michelangelo

Beweinung Christi