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  3. Сатир и нимфа
Сатир и нимфа, Nicolas Poussin, 1620s
Nicolas Poussin, portrætNicolas PoussinFrankrig, 1594–1665

Сатир и нимфа

1620s · Painting · 77.5 × 62.5 cm

Må man se det?

Ukendt: museet holder tæt

Pusjkinmuseet

Moskva, Rusland

Ejeren er kendt. Om det er udstillet i dag, siger museet ikke, og at gætte har vi ikke lært.

Kilde
Museets egne samlingsdata
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Oplysninger

1620s · 26 år gammel
15941665
Inventarnummer
Ж-1049

I kataloget

MalerierOlieFransk maleriBarok1600-talletFrankrig

Kilder

  • Pusjkinmuseet: museets åbne data · hentet for 8 dage siden
  • Billede: Pusjkinmuseet — © Pushkin State Museum of Fine Arts

Imens i livet hos Nicolas Poussin

Hele livet
  1. 1616–1618

    Patron Avice: anatomy, Poitou and a quarrel with his mother

    His first Paris patron was the chevalier Henri Avice of Poitou, who, according to Félibien, introduced the painter to court circles and let him work in a hospital and study anatomy. Then Avice took Poussin to his country estate to paint interiors, but the chevalier’s mother regarded him as a useless parasite and used him as a servant, and Poussin left.

  2. c. 1618

    The road to Rome ends in Florence

    Poussin longed to go to Italy to study ancient and Renaissance art, but around 1618 he got only as far as Florence: Bellori speaks vaguely of some misfortune, while in fact money seems to have run out. That he saw the Quattrocento before Venice and Rome probably meant a great deal for his development.

  3. c. 1619

    The Collège de Laon and the lessons of Fontainebleau

    According to Félibien, after Florence Poussin settled in the Collège de Laon and worked hard at chiaroscuro, perspective and symmetry of composition. By his own later judgement he was strongly influenced by Frans Pourbus, Toussaint Dubreuil and Primaticcio — rejecting Mannerism, he found in them a circle of classical subjects close to his own.

  4. 1620s

    The Cavaliere Marino takes the painter under his wing

    Poussin’s work caught the attention of the Italian poet Cavaliere Marino, then living in France; his patronage let the thirty-year-old painter work in peace. According to Bellori the poet took him into his house and helped him with the invention of subjects and the rendering of emotion, and in Marino’s house Poussin gained access to a library with treatises by Alberti and Dürer and manuscripts and drawings by Leonardo.

  5. 1622

    Six pictures for the Jesuits in just six days

    A serious commission helped him pay his debts: the Jesuit college in Paris asked Poussin and other painters for six large paintings on the lives of Ignatius Loyola and the newly canonised Francis Xavier. According to Bellori the panels, in à la détrempe technique, were painted in only six days; they have not survived.

  6. 1622

    Arrested for debt in Lyon on the way to Rome

    In 1622 Poussin again tried to go to Rome but was arrested for debt in Lyon and never reached Italy.

Mere af Nicolas Poussin

Alle værker
The Abduction of the Sabine Women, Nicolas Poussin, probably 1633–34

The Abduction of the Sabine Women

probably 1633–34 · Metropolitan Museum of Art

Blind Orion Searching for the Rising Sun, Nicolas Poussin, 1658

Blind Orion Searching for the Rising Sun

1658 · Metropolitan Museum of Art

La Sainte Famille avec saint Jean, sainte Elisabeth et saint Joseph priant, Poussin, Nicolas, Milieu du XVIIe siècle (vers 1650 - 1951)

La Sainte Famille avec saint Jean, sainte Elisabeth et saint Joseph priant

Milieu du XVIIe siècle (vers 1650 - 1951) · Louvre

Victory of Joshua over the Amalekites, Nicolas Poussin, 1623

Victory of Joshua over the Amalekites

1623 · Eremitagen

Mars et Vénus, Poussin, Nicolas, 1e tiers du XVIIe siècle (vers 1625)

Mars et Vénus

1e tiers du XVIIe siècle (vers 1625) · Louvre

Bacchanale à la joueuse de guitare, Poussin, Nicolas, 2e quart du XVIIe siècle (vers 1625)

Bacchanale à la joueuse de guitare

2e quart du XVIIe siècle (vers 1625) · Louvre

La Nourriture de Bacchus, Poussin, Nicolas, 2e quart du XVIIe siècle (vers 1626)

La Nourriture de Bacchus

2e quart du XVIIe siècle (vers 1626) · Louvre

The Agony in the Garden, Nicolas Poussin, 1626–27

The Agony in the Garden

1626–27 · Metropolitan Museum of Art