Salisbury Cathedral: The Spire, Roger Fenton, c. 1860
Roger Fenton, portrætRoger FentonStorbritannien, 1819–1869

Salisbury Cathedral: The Spire

c. 1860 · Photograph

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Hvor er »Salisbury Cathedral: The Spire« i dag? Samling: Museum of Modern Art, New York City. Ikke udstillet lige nu. Kontrolleret 6. oktober 2026.

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84.1988

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  1. 1861

    The death of his son Anthony

    In 1861 Anthony dies, the third of the three children Fenton loses in these years. All three are buried on the west side of Highgate Cemetery, in a plot adjoining the grave of Christina Rossetti and Elizabeth Siddal.

  2. 1862

    Abandoning photography for the law

    In 1862 Fenton sells his equipment and abandons the profession entirely, returning to the practice of law as a barrister: his photographic career has lasted little more than a decade. He is almost forgotten by the time of his death seven years later.

  3. 1862

    Photography is classed as a craft

    The organising committee for the International Exhibition in London announces plans to place photography not with the fine arts, as at the Manchester Art Treasures Exhibition only five years earlier, but in the section reserved for machinery, tools and instruments — classing it as a craft for tradesmen. For Fenton and many of his colleagues this is conclusive proof of photography's diminished status, and the pioneers drift away.

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