River Landscape with Crane and Barges, Ernst Ludwig Kirchner, 1927

Ernst Ludwig KirchnerTyskland, 1880–1938

River Landscape with Crane and Barges

1927 · Print

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Hvor er »River Landscape with Crane and Barges« i dag? Samling: National Gallery of Art, Washington, D.C. Ikke udstillet lige nu. Kontrolleret 29. september 2026.

National Gallery of Art

Washington, D.C., USA

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Kontrolleret: for 13 dage siden
Uændret siden: 19. aug. 2026
Kilde: Museet

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Inventarnummer: 2012.92.697

Hvad det viser

Landscape Træ Flod Båd Machine

I kataloget

Grafik Træsnit Modernisme 1900-tallet Ekspressionisme

Kilder

National Gallery of Art
Billede: National Gallery of Art — Museum open access

Imens i livet hos Ernst Ludwig Kirchner

Hele livet

1925
Albert Müller and the Rot-Blau group
In 1925 Kirchner became close friends with the painter Albert Müller and his family; the founders of the Basel group Rot-Blau (“Red-Blue”) — Hermann Scherer, Albert Müller, Paul Camenisch and Hans Schiess — visited him and worked under his guidance.
1925–1926
Declines to found a new group
In Berlin Kirchner met Karl Schmidt-Rottluff, who wanted him to form a new artists’ group; Kirchner politely refused.
1925–1926
A trip to Germany: Frankfurt, Chemnitz, Berlin
At the end of 1925 Kirchner went to Germany, visiting Frankfurt, Chemnitz, where his mother lived, and Berlin. Back in Frauenkirch he wrote to Dr. Hagemann in March 1926 that he was glad to see the old pictures by Rembrandt and Dürer again, while of the moderns hardly anything had gripped him.
1926–1927
Death of Albert Müller and a memorial exhibition
In December 1926 Kirchner’s close friend Albert Müller died of typhoid fever together with his wife Anni; in 1927 Kirchner organised a memorial exhibition for Müller at the Kunsthalle Basel.
1927
A major exhibition in the Davos schoolhouse
In 1927 a major exhibition of Kirchner’s work was held in the schoolhouse in Davos, with positive reviews.
1929
An open letter to the Rot-Blau group
In 1929 Kirchner was forced to distance himself from Rot-Blau after they pledged allegiance to him, which greatly upset him; in “An open letter to the Basel Red-Blue group” in no. 5 of Das Kunstblatt he stated that he was not their patron.