André MassonFrankrig, 1896–1987Plate (folio 7) from L'Anus solaire
Kan det ses?
Ikke udstillet lige nu
Hvor er »Plate (folio 7) from L'Anus solaire« i dag? Samling: Museum of Modern Art, New York City. Ikke udstillet lige nu. Kontrolleret 22. september 2026.
New York City, USA
Det hører til samlingen, men er ikke udstillet for tiden.
- Kontrolleret
- Kilde
- Museet
Oplysninger
- Inventarnummer
- 14.1974.2
I kataloget
Kilder
- Museum of Modern Art
- Billede: Museum of Modern Art — © the artist or rights holder
Imens i livet hos André Masson
Hele livet1929
Breaks with Breton and leaves the Surrealists
By the end of the 1920s Masson finds Breton's insistence on the Surrealists' allegiance to the French Communist Party stifling, leaves the Surrealist movement and turns to a more structured figurative style, often with violent or erotic themes; he joins the “dissident Surrealists” gathered around his close friends Michel Leiris and Georges Bataille.
1930–1933
Relationship with the British artist Paule Vézelay
Masson is in a relationship with Paule Vézelay, a British abstract artist living in Paris, whose work also inspired him.
1933
First work as a stage designer: “Les Présages”
Masson designs the production of Léonide Massine's ballet-symphony “Les Présages”; later, after returning to France, he will continue to work in the theatre.
