
PAYSAGE, ESQUISSE
Kan det ses?
Ukendt
Hvor er »PAYSAGE, ESQUISSE« i dag? Samling: Palais des beaux-arts de Lille, Lille. Ukendt.
Lille, Frankrig
Ejeren er kendt; om værket er udstillet i dag, vides ikke.
- Uændret siden
- Kilde
- Museet
Oplysninger
- Inventarnummer
- P 471
Hvad det viser
I kataloget
Kilder
- Palais des beaux-arts de Lille
- Billede: Palais des beaux-arts de Lille — © Réunion des musées nationaux - utilisation soumise à autorisation © Hervé Lewandowski; Ministère de la Culture (France), base Joconde
Imens i livet hos John Constable
Hele livet1816
A marriage against the bride’s grandfather
Maria’s grandfather, Dr Rhudde, rector of East Bergholt, opposed the match: he thought the Constables his social inferiors and threatened to disinherit her. Constable’s parents approved but offered no support until he was financially secure; they died soon afterwards, and he inherited a fifth share of the family business.
1816
A honeymoon by the sea
After the wedding at St Martin-in-the-Fields, conducted by Fisher, the couple stayed at Fisher’s vicarage and toured the south coast. The sea at Weymouth and Brighton pushed Constable towards brilliant colour and lively brushwork.
2. oktober 1816
Married: Maria Bicknell
1821
“The Hay Wain” at the Royal Academy
The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.
1821
Son born: Charles Golding Constable
1821
“I should paint my own places best”
In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.











