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  1. Samling/
  2. Art Institute of Chicago/
  3. Page 8 from Traces suspectes en surface
Page 8 from Traces suspectes en surface, Robert Rauschenberg, 1972–78
Robert Rauschenberg, portrætRobert RauschenbergUSA, 1925–2008

Page 8 from Traces suspectes en surface

1972–78 · Print

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Art Institute of Chicago

Chicago, USA

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Uændret siden
19. aug. 2026
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Museet
På kortetMuseets side

Oplysninger

1972–78 · 47 år gammel
19252008
Inventarnummer
1985.1114.9

I kataloget

GrafikLitografiEfterkrigskunst1900-talletUSA

Kilder

  • Art Institute of Chicago
  • Billede: Art Institute of Chicago — © the artist or rights holder

Imens i livet hos Robert Rauschenberg

Hele livet
  1. autumn 1970

    Moves to Captiva for good

    From the autumn of 1970 the Captiva house became Rauschenberg's permanent home and studio. The first works made there were the “Cardboards” (1971–72) and “Early Egyptians” (1973–74) series, from locally sourced cardboard and sand: instead of urban imagery he now favoured the natural fibres of fabric and paper.

  2. 1970

    Sets up Change, Inc. to help artists

    Rauschenberg created Change, Inc., a programme awarding one-time emergency grants of up to $1,000 to visual artists in financial need.

  3. 1970

    Helps create the Pepsi Pavilion at Expo '70 in Osaka

    Rauschenberg took part in creating the Pepsi Pavilion for the 1970 World Exposition in Osaka; the opening was directed by the choreographer and artist Remy Charlip.

  4. 1973

    The Scull auction and the fight for artists' royalties

    In 1973 the taxi baron Robert Scull sold Rauschenberg's paintings “Thaw” and “Double Feature”, bought for $900 and $2,500, for $85,000 and $90,000 at Sotheby Parke Bernet. The artist took up the fight for resale royalties for artists (droit de suite), lobbying the US Congress for a law.

Mere af Robert Rauschenberg

Alle værker
Untitled, Robert Rauschenberg, c. 1953

Untitled

c. 1953 · Museum of Modern Art

Canyon, Robert Rauschenberg, 1959

Canyon

1959 · Museum of Modern Art

Untitled, Robert Rauschenberg, c. 1955

Untitled

c. 1955 · Art Institute of Chicago

Satellite, Robert Rauschenberg, 1955

Satellite

1955 · Whitney Museum of American Art

Untitled, Robert Rauschenberg, 1949

Untitled

1949 · Ikke udstillet · Museum of Modern Art

Untitled, Robert Rauschenberg, Susan Weil, c. 1950

Untitled

c. 1950 · Ikke udstillet · Museum of Modern Art

Black Painting, Robert Rauschenberg, 1952

Black Painting

1952 · Ikke udstillet · National Gallery of Art

Untitled (Mirror), Robert Rauschenberg, (1952)

Untitled (Mirror)

(1952) · Ikke udstillet · Museum of Modern Art

Naboer på Art Institute of Chicago

Museets side
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

En søndag eftermiddag på øen La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Gade i Paris på en regnvejrsdag, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

To søstre, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942