ART WIKI33.040 udstillet
KortSamlingKunstnereMuseerUdstillingerJournal
Log ind

ART WIKI

Hvor mesterværket hænger, og hvornår man bliver lukket ind.

Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

Afsnit

  • Kort
  • Søgning
  • Samling
  • Mesterværker
  • Udstillet nu
  • Kunstnere

Mere

  • Museer & gallerier
  • Udstillinger
  • Journal
  • Hvor data kommer fra
  • Privatliv & cookies
ForsideKortKatalog
  1. Samling/
  2. Smithsonian American Art Museum/
  3. Mother (Annie Williams Gandy)
Mother (Annie Williams Gandy), Thomas Eakins, ca. 1903

Mother (Annie Williams Gandy)

ca. 1903 · Painting · 61 × 50.8 cm

Om maleriet

Annie Williams Gandy, affectionately nicknamed “Mother,” was a close friend of Thomas Eakins and his wife. One critic noted Eakins’s ability to capture an expression in which “mere thinking is portrayed without the aid of gesture or attitude.” (Simpson, “The 1880s,” Thomas Eakins, 2002) Here, Eakins enlists the viewer in an intimate, pensive moment, portraying Annie in a morning coat and braids to suggest that she has just risen from bed. While the subject of women lost in reverie was fashionable at the turn of the twentieth century, most artists chose to idealize their sitters. Eakins, on the other hand, did not disguise their blemishes and “worry lines,” and many people considered his portraits to be unflattering. (Perry, Women on the Verge: The Culture of Neurasthenia in Nineteenth-century America, 2004)

Smithsonian American Art Museum

Oplysninger

ca. 1903
18441916
Inventarnummer
1961.11.12

Mere af Thomas Eakins

Alle værker

I samme sal · Luce Foundation Center, 3rd Floor, 2A, Smithsonian American Art Museum

Museets side

Om samme emne · Kvinde

Alle værker om emnet
Thomas Eakins, portrætThomas EakinsUSA, 1844–1916

Må man se det?

Ja, det tager imod

Smithsonian American Art Museum

Washington, D.C., USA

SalLuce Foundation Center, 3rd Floor, 2A

Udstillet for publikum. Hvem der står inde for det, står nedenfor.

Kontrolleret
for 13 dage siden
Uændret siden
25. sep. 2026
Kilde
Museet
På kortetMuseets side

Hvad det viser

KvindePortræt

I kataloget

MalerierOlieAmerikansk maleriImpressionismeModernisme1900-tallet

Kilder

  • Smithsonian American Art Museum
  • Billede: Smithsonian American Art Museum — CC0
The Champion Single Sculls (Max Schmitt in a Single Scull), Thomas Eakins, 1871

The Champion Single Sculls (Max Schmitt in a Single Scull)

1871 · Metropolitan Museum of Art

Carmelita Requena, Thomas Eakins, 1869

Carmelita Requena

1869 · Metropolitan Museum of Art

A Street Scene in Seville, Thomas Eakins, 1870

A Street Scene in Seville

1870 · Metropolitan Museum of Art

The Biglin Brothers Racing, Thomas Eakins, 1872

The Biglin Brothers Racing

1872 · National Gallery of Art

Pushing for Rail, Thomas Eakins, 1874

Pushing for Rail

1874 · Metropolitan Museum of Art

The Chess Players, Thomas Eakins, 1876

The Chess Players

1876 · Metropolitan Museum of Art

Singing a Pathetic Song, Thomas Eakins, 1881

Singing a Pathetic Song

1881 · National Gallery of Art

The Writing Master, Thomas Eakins, 1882

The Writing Master

1882 · Metropolitan Museum of Art

Georges Clemenceau, Cecilia Beaux, 1920

Cecilia Beaux

Georges Clemenceau, 1920

Blind Spanish Singer, Robert Henri, 1912

Robert Henri

Blind Spanish Singer, 1912

Portrait of Frank Hamilton Cushing, Thomas Hovenden, 1890

Thomas Hovenden

Portrait of Frank Hamilton Cushing, 1890

Portrait of Mrs. John Gellatly, Eleanor Greatorex, 1890-1897

Eleanor Greatorex

Portrait of Mrs. John Gellatly, 1890-1897

A Lady in Black, Kenyon Cox, 1880

Kenyon Cox

A Lady in Black, 1880

Head of an Old Man, Frank Duveneck, ca. 1877-1879

Frank Duveneck

Head of an Old Man, ca. 1877-1879

Richard H. Kern, Edward Meyer Kern, 1852

Edward Meyer Kern

Richard H. Kern, 1852

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Vincent van Gogh

Madame Roulin and Her Baby, 1888

Metropolitan Museum of Art

Garden at Sainte-Adresse, Claude Monet, 1867

Claude Monet

Garden at Sainte-Adresse, 1867

Metropolitan Museum of Art

Condesa de Altamira and Her Daughter, María Agustina, Goya, 1787–88

Francisco de Goya

Condesa de Altamira and Her Daughter, María Agustina, 1787–88

Metropolitan Museum of Art

Two Women on the Shore, Edvard Munch, 1898

Edvard Munch

Two Women on the Shore, 1898

Rijksmuseum Amsterdam

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662

Johannes Vermeer

Young Woman with a Water Pitcher, ca. 1662

Metropolitan Museum of Art

Study of a Young Woman, Johannes Vermeer, ca. 1665–67

Johannes Vermeer

Portræt af en ung kvinde, ca. 1665–67

Metropolitan Museum of Art

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

Paul Gauguin

Ia Orana Maria (Hail Mary), 1891

Metropolitan Museum of Art

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635

Peter Paul Rubens

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635

Metropolitan Museum of Art