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  1. Samling/
  2. National Gallery of Art/
  3. Marva Louis, Chicago
Marva Louis, Chicago, Gordon Parks, 1941
Gordon Parks, portrætGordon ParksUSA, 1912–2006

Marva Louis, Chicago

1941 · Photograph

Må man se det?

Tager ikke imod for tiden

National Gallery of Art

Washington, D.C., USA

Det hører til samlingen, men er ikke udstillet for tiden.

Kontrolleret
i forgårs
Uændret siden
19. aug. 2026
Kilde
Museets egne samlingsdata
På kortetMuseets side

Oplysninger

1941 · 29 år gammel
19122006
Inventarnummer
2016.117.103

Hvad det viser

PortrætShadowIllinois

I kataloget

FotografierSølvgelatineaftrykModernisme1900-talletAmerican

Kilder

  • National Gallery of Art: museets åbne data · hentet for 8 dage siden
  • Billede: National Gallery of Art — © the artist or rights holder

Imens i livet hos Gordon Parks

Hele livet
  1. c. 1940 (aged 28)

    Buys his first camera and teaches himself to shoot

    Struck by magazine photographs of migrant workers, at twenty-eight he buys a Voigtländer Brillant for $12.50 at a Seattle pawnshop and teaches himself photography. The clerks who develop his first roll of film applaud his work and urge him to seek a fashion assignment at Frank Murphy’s women’s clothing store in St. Paul.

  2. 1940

    Moves to Chicago on Marva Louis’s advice

    His photographs for the St. Paul store catch the eye of Marva Louis, wife of heavyweight boxing champion Joe Louis, who encourages Parks and his wife Sally Alvis to move to Chicago. There he opens a portrait business and specialises in photographs of society women.

  3. 1940

    Daughter born: Toni Parks

  4. 1941

    Exhibition of photographs of Chicago’s Black ghetto

    While chronicling the South Side Black ghetto of Chicago, he sees an exhibition of these photographs win him a photography fellowship with the Farm Security Administration (FSA); other accounts link his invitation to the FSA to the Rosenwald Fellowship of 1942.

  5. 1942

    Receives the Rosenwald Fellowship

    The Julius Rosenwald Fellowship, $200 a month with the choice of employer, rewards his work in Chicago, especially his capturing of the myriad experiences of African Americans across the city. It contributes to his being asked to join the FSA, which under Roy Stryker was chronicling the nation’s social conditions.

  6. c. 1942

    Stryker calls the picture an indictment of America

    Seeing the photograph, Stryker says it is an indictment of America that could get all of his photographers fired, and urges Parks to keep working with Watson, which leads to a series of pictures of her daily life. Parks later says his first image was overdone and not subtle.

Mere af Gordon Parks

Alle værker
Washington, D.C. Government Charwoman (American Gothic), Gordon Parks, July 1942, printed later

Washington, D.C. Government Charwoman (American Gothic)

July 1942, printed later · National Gallery of Art

Off on My Own, Harlem, New York, Gordon Parks, 1948, printed 2019

Off on My Own, Harlem, New York

1948, printed 2019 · Ikke udstillet · National Gallery of Art

Doll Test, Harlem, New York, Gordon Parks, 1947, printed 2019

Doll Test, Harlem, New York

1947, printed 2019 · Ikke udstillet · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941

Langston Hughes, Chicago

December 1941 · Ikke udstillet · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941, printed later

Langston Hughes, Chicago

December 1941, printed later · Ikke udstillet · National Gallery of Art

Self-Portrait, Gordon Parks, 1941

Self-Portrait

1941 · Ikke udstillet · National Gallery of Art

Washington (southwest section), D.C. Negro woman in her bedroom, Gordon Parks, November 1942, printed later

Washington (southwest section), D.C. Negro woman in her bedroom

November 1942, printed later · Ikke udstillet · National Gallery of Art

Washington, D.C. Sitting beneath the emblem of the crucifixion of Jesus on Calvary. Two members of the St. Martin's Spiritual Church listen and pray., Gordon Parks, August 1942, printed later

Washington, D.C. Sitting beneath the emblem of the crucifixion of Jesus on Calvary. Two members of the St. Martin's Spiritual Church listen and pray.

August 1942, printed later · Ikke udstillet · National Gallery of Art

Naboer på National Gallery of Art

Museets side
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888