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ForsideKortKatalog
  1. Samling/
  2. Art Institute of Chicago/
  3. Manhattan Bridge Looking Up
Manhattan Bridge Looking Up, Berenice Abbott, 1936
Berenice Abbott, portrætBerenice AbbottUSA, 1898–1991

Manhattan Bridge Looking Up

1936 · Photograph

Må man se det?

Tager ikke imod for tiden

Art Institute of Chicago

Chicago, USA

Det hører til samlingen, men er ikke udstillet for tiden.

Kontrolleret
for 3 dage siden
Uændret siden
19. aug. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

1936 · 38 år gammel
18981991
Inventarnummer
1943.1414

I kataloget

FotografierSølvgelatineaftrykModernisme1900-talletUSA

Kilder

  • Art Institute of Chicago
  • Billede: Art Institute of Chicago — © the artist or rights holder

Imens i livet hos Berenice Abbott

Hele livet
  1. 1930s

    The idea behind “Changing New York”

    Her project is primarily a sociological study embedded within modernist aesthetic practices, meant to show the interaction between the city’s diverse people, the places where they live, work and play, and their daily activities. Lewis Mumford’s historical writings of the early 1930s strongly influence her, and buildings of the “paleotechnic era” often look downright menacing in her photographs.

  2. 1934

    Museum exhibition brings patrons and a co-author

    An exhibition she prepares at the Museum of the City of New York in 1934 helps her find serious patrons (the Federal Art Project begins to fund the project) and a co-author, the art critic Elizabeth McCausland, who becomes a close friend.

  3. 1935

    The Federal Art Project hires her as project supervisor

    In 1935 the Federal Art Project (FAP) hires her as project supervisor for “Changing New York”: she continues to photograph the city while assistants help in the field and in the office, leaving her all her time for producing, printing and exhibiting her photographs. By the time she resigns from the FAP in 1939 she has produced 305 photographs, deposited at the Museum of the City of New York.

  4. 1935

    Moves into a loft with the critic Elizabeth McCausland

    She moves into a Greenwich Village loft with the art critic Elizabeth McCausland and lives with her until McCausland’s death in 1965. McCausland is an ardent supporter, writing about Abbott in the Springfield Daily Republican, Trend and New Masses (the latter under the pseudonym Elizabeth Noble) and contributing the captions for “Changing New York”.

  5. 1937

    “Changing New York” exhibition at the Museum of the City of New York

    Her first exhibition in New York (other accounts place an exhibition at this museum as early as 1934) becomes her best-known project. The photographs depict the city’s physical transformation, including changes to its neighbourhoods and the replacement of low-rise buildings with skyscrapers.

  6. 19. juni 1937 – 12. september 1937

    Took part in: foto '37

Mere af Berenice Abbott

Alle værker
New York 7, Holland Transportation Company, Berenice Abbott, c. 1930s

New York 7, Holland Transportation Company

c. 1930s · Ikke udstillet · National Gallery of Art

Leaf, Supersight, Berenice Abbott, 1940s

Leaf, Supersight

1940s · Ikke udstillet · Museum of Modern Art

View of Manhattan, Lower Manhattan, Berenice Abbott, 1930s

View of Manhattan, Lower Manhattan

1930s · Ikke udstillet · Museum of Modern Art

Jean Cocteau, Berenice Abbott, 1926, printed c. 1926 - 1936

Jean Cocteau

1926, printed c. 1926 - 1936 · Ikke udstillet · National Gallery of Art

James Joyce, Berenice Abbott, 1926

James Joyce

1926 · Ikke udstillet · Museum of Modern Art

Eugene Atget, Berenice Abbott, 1927

Eugene Atget

1927 · Ikke udstillet · Museum of Modern Art

Hands of Jean Cocteau, Berenice Abbott, 1927

Hands of Jean Cocteau

1927 · Ikke udstillet · Museum of Modern Art

James Joyce, Berenice Abbott, 1928

James Joyce

1928 · Ikke udstillet · National Gallery of Art

Naboer på Art Institute of Chicago

Museets side
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

En søndag eftermiddag på øen La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Gade i Paris på en regnvejrsdag, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

To søstre, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942