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  1. Samling/
  2. National Gallery of Art/
  3. Maison Vertu, Sebastopol
Maison Vertu, Sebastopol, James Robertson, 1855-1856

Maison Vertu, Sebastopol

1855-1856 · Photograph

Oplysninger

1855-1856
18321909
Inventarnummer
2012.137.4.27

Mere af James Robertson

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Naboer på National Gallery of Art

Museets side

Om samme emne · Church

Alle værker om emnet
JJames RobertsonSkotland, 1832–1909

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National Gallery of Art

Washington, D.C., USA

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FotografierAlbuminaftrykRealisme1800-talletBritish

Kilder

  • National Gallery of Art
  • Billede: National Gallery of Art — Museum open access
Fountain at Sultan Ahmed Mosque, Istanbul, James Robertson and Felice Beato, 1853

Fountain at Sultan Ahmed Mosque, Istanbul

1853 · Ikke udstillet · National Gallery of Art

Camp of the 17th Regiment, James Robertson, 1855-1856

Camp of the 17th Regiment

1855-1856 · Ikke udstillet · National Gallery of Art

Sebastopol, View of Harbor, James Robertson, 1855-1856

Sebastopol, View of Harbor

1855-1856 · Ikke udstillet · National Gallery of Art

Distant View of the Arsenal, James Robertson, 1855-1856

Distant View of the Arsenal

1855-1856 · Ikke udstillet · National Gallery of Art

Panorama of Sebastopol No. 1, James Robertson, 1855-1856

Panorama of Sebastopol No. 1

1855-1856 · Ikke udstillet · National Gallery of Art

Courtyard with Domed Building in Ruins, James Robertson, 1855-1856

Courtyard with Domed Building in Ruins

1855-1856 · Ikke udstillet · National Gallery of Art

Gun Battery, James Robertson, 1855-1856

Gun Battery

1855-1856 · Ikke udstillet · National Gallery of Art

The Arsenal, James Robertson, 1855-1856

The Arsenal

1855-1856 · Ikke udstillet · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

[Medea oder die Hochzeit von Jason und Krëusa; Medea: Or the Marriage of Jason and Creusa; La Médée, ou le mariage de Jason et de Crëuse], Rembrandt, 1648

Rembrandt van Rijn

[Medea oder die Hochzeit von Jason und Krëusa; Medea: Or the Marriage of Jason and Creusa; La Médée, ou le mariage de Jason et de Crëuse], 1648

Herzog Anton Ulrich-Museum

[Medea oder die Hochzeit von Jason und Krëusa; Medea: Or the Marriage of Jason and Creusa; La Médée, ou le mariage de Jason et de Crëuse], Rembrandt, 1648

Rembrandt van Rijn

[Medea oder die Hochzeit von Jason und Krëusa; Medea: Or the Marriage of Jason and Creusa; La Médée, ou le mariage de Jason et de Crëuse], 1648

Herzog Anton Ulrich-Museum

L'Église, Wassily Kandinsky, 1909

Vasily Kandinsky

L'Église, 1909

Ikke udstillet · National Gallery of Art

Church Tower; A Sketch of a Fan [recto], Paul Gauguin, 1884-1888

Paul Gauguin

Church Tower; A Sketch of a Fan [recto], 1884-1888

Ikke udstillet · National Gallery of Art

The Canterbury Pilgrims, William Blake, 1810

William Blake

The Canterbury Pilgrims, 1810

Ikke udstillet · National Gallery of Art

Saint Sebaldus Standing on a Column, Albrecht Dürer, c. 1501

Albrecht Dürer

Saint Sebaldus Standing on a Column, c. 1501

Ikke udstillet · National Gallery of Art

The Mass of Saint Gregory, Albrecht Dürer, 1511

Albrecht Dürer

The Mass of Saint Gregory, 1511

Ikke udstillet · Minneapolis Institute of Art

Basil Bunting Summer 1973, we went from Bede's grave Durham Cathedral to a Northumbrian Churchyard where he preferred to be buried in time., Allen Ginsberg, 1973, printed later

Allen Ginsberg

Basil Bunting Summer 1973, we went from Bede's grave Durham Cathedral to a Northumbrian Churchyard where he preferred to be buried in time., 1973, printed later

Ikke udstillet · National Gallery of Art