Landscape with Lake and Fallen Tree, J. M. W. Turner, 1800
Joseph Mallord William Turner, portrætJoseph Mallord William TurnerStorbritannien, 1775–1851

Landscape with Lake and Fallen Tree

1800 · Painting · 60.6 × 39.1 cm

Kan det ses?

Ukendt

Hvor er »Landscape with Lake and Fallen Tree« i dag? Samling: National Gallery, London. Ukendt.

National Gallery

London, Storbritannien

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
Kilde
Museet

Om maleriet

Landscape with Lake and Fallen Tree is a painting by J.M.W. Turner (23 April 1775 – 19 December 1851), painted c. 1800.

WikipediaCC BY-SA

Oplysninger

Inventarnummer
NG3557

I kataloget

Kilder

  • Wikidata
  • Billede: National Gallery — J. M. W. Turner · Public domain · Wikimedia Commons

Imens i livet hos Joseph Mallord William Turner

Hele livet
  1. 1798

    The large watercolours of North Wales

    The large watercolour views he made in North Wales in 1798, such as his depiction of Caernarvon Castle, are counted among the great landscapes of European art; by the age of 25, according to Wilson, he had developed watercolour into a new medium capable of much the same expressive power as oils.

  2. 1799

    Tears before a painting by Claude Lorrain

    The collector John Julius Angerstein invited him to see his paintings; standing before Claude’s “The Embarkation of the Queen of Sheba” Turner burst into tears and explained that he would never be able to paint anything like it. Only when he finished “Dido Building Carthage” (1815) did he feel he had achieved something comparable.

  3. 4 November 1799

    Elected an associate of the Royal Academy

    On 4 November 1799 Turner, by then a popular artist, was elected an associate (corresponding) member of the Royal Academy.

  4. 1801

    The triumph of the “Bridgewater Sea Piece” at the Academy

    “Dutch Boats in a Gale” (the “Bridgewater Sea Piece”), commissioned for 250 guineas by the Duke of Bridgewater, one of the richest men in England, “took the Academy by storm” and was hung in the best location of the whole exhibition: in the Great Room, centred, opposite the entrance.

  5. 10 February 1802

    Becomes a Royal Academician

    On 10 February 1802 he was granted the title of Royal Academician, which gave him the right to exhibit without passing the selection committee that previewed all works.

  6. 1802–1803

    Paris and the Swiss Alps in a year of peace

    In the only year without war in Europe between 1793 and 1814 (the Peace of Amiens, 1802–1803) a consortium of noblemen sponsored a visit to Paris, where he saw old master paintings in the Louvre, and then he toured the Swiss Alps; his Alpine sketches later let him represent “the sublime” in paintings such as “Snow Storm: Hannibal and his Army Crossing the Alps” (1812).

Alle værker

Fra samlingen: National Gallery

Museets side