Landscape with a Walker Greeting the Public, Jean Dubuffet, 1949
Jean Dubuffet, portrætJean DubuffetFrankrig, 1901–1985

Landscape with a Walker Greeting the Public

1949 · Painting

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Hvor er »Landscape with a Walker Greeting the Public« i dag? The Cleveland Museum of Art, 225 German Expressionism & Surrealism, Cleveland. Ja, udstillet nu. Kontrolleret 29. september 2026.

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Through his art, Jean Dubuffet challenged the cultural landscape of the mid-1900s, rebelling against prevailing notions of high culture and beauty with his unrefined technique and use of rough surfaces. This painting belongs to a series the artist called Les Paysages grotesques (Grotesque landscapes) in which the artist described the landscape, figures, and objects in a tangled mass of lines and shapes. In the upper right, a smiling figure greets the viewer with a friendly wave.

The Cleveland Museum of Art

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2026.9

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Kilder

Imens i livet hos Jean Dubuffet

Hele livet
  1. 1947

    First solo exhibition in America

    In 1947 Dubuffet had his first solo exhibition in America, at the same Pierre Matisse Gallery. Reviews were largely favorable, and he went on to exhibit there at least once a year.

  2. 1947–1949

    Three trips to Algeria

    Between 1947 and 1949 Dubuffet made three trips to Algeria, then a French colony, in search of further artistic inspiration. He was fascinated by the nomadic tribes and the ephemeral quality of their existence, which became a facet of art brut.

  3. 1948

    He approaches the Surrealist group

    In 1948 Dubuffet approached the Surrealist group.

  4. 1948

    The Compagnie de l'art brut is founded

    In June 1948 Dubuffet, together with Jean Paulhan, André Breton, Charles Ratton, Michel Tapié and Henri-Pierre Roché, officially established La Compagnie de l'art brut in Paris, dedicated to the discovery, documentation and exhibition of art brut. He later amassed his own collection, including works by Aloïse Corbaz and Adolf Wölfli.

  5. 1949–1950

    Americans in Paris: Ossorio and Glasco

    At the end of 1949, while Pierre Matisse was preparing Dubuffet's January 1950 show, Alfonso Ossorio travelled to Paris to meet him and buy some of his paintings. In 1950, at Ossorio's urging, his young friend Joseph Glasco left New York for Paris to meet Dubuffet, and credited the encounter as an influence on his own art.

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