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ForsideKortKatalog
  1. Samling/
  2. Albertina/
  3. La sortie du bain
La sortie du bain, Edgar Degas, 1870–1880
Edgar Degas, portrætEdgar DegasFrankrig, 1834–1917

La sortie du bain

1870–1880 · Print

Må man se det?

Ukendt

Albertina

Wien, Østrig

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
27. sep. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

1870–1880
18341917

I kataloget

GrafikRealismeImpressionisme1800-tallet

Kilder

  • Albertina
  • Billede: Albertina — Public Domain Mark 1.0

Imens i livet hos Edgar Degas

Hele livet
  1. 1870

    A volunteer in the war; a flaw in his eyesight

    When the Franco-Prussian War broke out Degas volunteered; at the first shooting practice it turned out that he saw poorly with his right eye. It was the first sign of the macular degeneration that left him almost blind at the end of his life; he was transferred to the artillery and served there to the end of the war.

  2. oktober 1872 – marts 1873 · Bopæl

    New Orleans

  3. 1873–1874

    His brother's debts: he sells his house and collection

    After his father's death Degas learned that his brother René had run up enormous business debts. To save the family's reputation he sold his house and an inherited art collection and for the first time in his life depended on sales of his own work.

  4. 1874

    The first Impressionist exhibition

    Disenchanted with the Salon, Degas joined a group of young artists organizing an independent exhibiting society. He took a leading role in organizing the eight shows of 1874–1886 and exhibited in all but one, despite constant conflicts with the group.

  5. 1881

    “The Little Dancer of Fourteen Years” on show

    The nearly life-size wax figure with real hair and a cloth tutu, modelled on Marie van Goethem, provoked a strong reaction: critics found its realism extraordinary, but many denounced the dancer as ugly. It was the only sculpture Degas showed in his lifetime.

  6. by 1882

    His eyesight sharply worsens

    By 1882 Degas's eyesight began to worsen sharply: he turned to pastel and then to sculpture, where he could rely more on touch.

Mere af Edgar Degas

Alle værker
The Little Fourteen-Year-Old Dancer, Edgar Degas, modeled 1881, cast 1922, modern tutu

The Little Fourteen-Year-Old Dancer

modeled 1881, cast 1922, modern tutu · Metropolitan Museum of Art

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas, 1865

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)

1865 · Metropolitan Museum of Art

Portrait of Mlle. Hortense Valpinçon, Edgar Degas, c. 1871

Portrait of Mlle. Hortense Valpinçon

c. 1871 · Minneapolis Institute of Art

The Dance Class, Edgar Degas, 1874

The Dance Class

1874 · Metropolitan Museum of Art

Woman Having Her Hair Combed, Edgar Degas, ca. 1886–88

Woman Having Her Hair Combed

ca. 1886–88 · Metropolitan Museum of Art

Woman Seated in an Armchair, Wiping Her Neck, Edgar Degas, original plastiline 1890s/c.1905, cast 1920/1952

Woman Seated in an Armchair, Wiping Her Neck

original plastiline 1890s/c.1905, cast 1920/1952 · National Gallery of Art

Study in the Nude of Little Dancer Aged Fourteen (Nude Little Dancer), Edgar Degas, original wax c. 1878-1881, cast 1920/1926

Study in the Nude of Little Dancer Aged Fourteen (Nude Little Dancer)

original wax c. 1878-1881, cast 1920/1926 · National Gallery of Art

Horse Trotting, the Feet Not Touching the Ground, Edgar Degas, original wax 1870s, cast 1920/1924

Horse Trotting, the Feet Not Touching the Ground

original wax 1870s, cast 1920/1924 · National Gallery of Art

Fra samlingen: Albertina

Museets side
Zwei groteske Köpfe im Profil, Leonardo da Vinci

Leonardo da Vinci

Zwei groteske Köpfe im Profil

Landschaft mit Haus und Bäumen, Vincent van Gogh

Vincent van Gogh

Landschaft mit Haus und Bäumen

Friedhof im Regen, Vincent van Gogh

Vincent van Gogh

Friedhof im Regen

Studien eines erhobenen Armes mit Schultergelenk, Michelangelo

Michelangelo

Studien eines erhobenen Armes mit Schultergelenk

Studien eines weiblichen sitzenden Rückenakts, Michelangelo

Michelangelo

Studien eines weiblichen sitzenden Rückenakts

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien, Michelangelo

Michelangelo

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina"), Michelangelo

Michelangelo

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina")

Beweinung Christi, Michelangelo

Michelangelo

Beweinung Christi