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  1. Samling/
  2. Louvre/
  3. La Mort de Sophonisbe
La Mort de Sophonisbe, Preti, Mattia, XVIIe siècle (vers 1660 - 1670)
Mattia Preti, portrætMattia PretiItalien, 1613–1699

La Mort de Sophonisbe

XVIIe siècle (vers 1660 - 1670) · Peintures

Må man se det?

Ukendt

Louvre

Paris, Frankrig

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
26. sep. 2026
Kilde
Museet
På kortetMuseets side

Om maleriet

The Death of Sophonisba or Sophonisba Taking Poison is a 1670s painting by Mattia Preti depicting the suicide of Sophonisba in Ancient Carthage. It is held in the Museum of Fine Arts of Lyon.

Wikipedia · CC BY-SA

Oplysninger

XVIIe siècle (vers 1660 - 1670)
16131699
Inventarnummer
A 60

I kataloget

MalerierItaliensk maleriBarok1600-tallet

Kilder

  • Louvre
  • Billede: Louvre — © 2023 Musée du Louvre / Département des Peintures

Imens i livet hos Mattia Preti

Hele livet
  1. 1653–1661

    A relationship of mutual influence with the young Luca Giordano

    In Naples he developed a mutually influential relationship with the younger Luca Giordano; together they contributed to the development of the Neapolitan school of painting in the second half of the century. For the young Neapolitan artist, Preti acted as a bridge between the early naturalism of the first half of the century and the fully-fledged Baroque style.

  2. summer 1659

    A trip to Malta: Knight of Grace of the Order

    In the summer of 1659 he travelled to Malta, where he was made a Knight of Grace in the Order of St John and visited the Order’s headquarters.

  3. 1660

    Commissioned to decorate the vault of St John’s Co-Cathedral

    In 1660 he was commissioned to decorate the vault of St John’s Co-Cathedral in Valletta, the church of the Order of Malta.

  4. 15 September 1660

    His admission as a Knight of Grace is recorded by the Order’s chancery

    Preti’s application for the rank of Knight of Grace was accepted by the reigning Pope, Alexander VII, and his admission was recorded by the Chancery of the Order of Malta on 15 September 1660.

  5. 1660–1661

    Back in Rome: Valmontone and Sant’Andrea

    By around 1660 he was no longer based permanently in Naples, and was initially in Rome, where he succeeded Pier Francesco Mola to complete the fresco cycle of the Elements of the Air at the Villa Pamphilij in Valmontone and made improvements to his Stories of the Saint at Sant’Andrea della Valle, painted during his earlier years in Rome. Meanwhile, in Naples, he had established a strong professional relationship with Don Antonio Ruffo, a wealthy Sicilian patron who invited him to fresco Messina Cathedral.

  6. 1661–1699

    Malta: work for the island and for all of Europe

    From 1661 he worked in Malta: besides the cathedral decoration he realised several paintings on the island for private patrons and parish churches, and his increased reputation brought him commissions from all over Europe. His major works in Malta include the “Conversion of Saint Paul” in St Paul’s Cathedral in Mdina, commissioned by the Knights Hospitaller, and the “Madonna and Child with Saints John the Baptist and Anthony Abbot” in the chapel of Verdala Palace in Siġġiewi.

Mere af Mattia Preti

Alle værker
A Man Cutting Tobacco, Mattia Preti, 1660s

A Man Cutting Tobacco

1660s · National Gallery of Art

The Concert, Mattia Preti, 1630s

The Concert

1630s · Eremitagen

Clorinda Rescuing Sofronia and Olindo, Mattia Preti, about 1660

Clorinda Rescuing Sofronia and Olindo

about 1660 · J. Paul Getty Museum

Pilate Washing His Hands, Mattia Preti, 1663

Pilate Washing His Hands

1663 · Metropolitan Museum of Art

The Martyrdom of Saint Gennaro, Mattia Preti, c. 1685

The Martyrdom of Saint Gennaro

c. 1685 · National Gallery of Art

Saint Paul the Hermit, Mattia Preti, c. 1662–1664

Saint Paul the Hermit

c. 1662–1664 · The Cleveland Museum of Art

Die Befreiung Petri aus dem Gefängnis, Mattia Preti

Die Befreiung Petri aus dem Gefängnis

Gemäldegalerie Alte Meister

Johannes der Täufer, Mattia Preti

Johannes der Täufer

Albertina

Naboer på Louvre

Museets side
Portrait de Lisa Gherardini, épouse de Francesco del Giocondo, dit La Joconde ou Monna Lisa, Léonard de Vinci, 1e quart du XVIe siècle (1503 - 1519)

Leonardo da Vinci

Mona Lisa, 1e quart du XVIe siècle (1503 - 1519)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1517 - 1520)

Leonardo da Vinci

Saint Jean Baptiste, 1e quart du XVIe siècle (vers 1517 - 1520)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1508 - 1519)

Leonardo da Vinci

Johannes Døberen, 1e quart du XVIe siècle (vers 1508 - 1519)

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, Léonard de Vinci, XVIe siècle (vers 1505 - 1520)

Leonardo da Vinci

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, XVIe siècle (vers 1505 - 1520)

La Vierge, l'Enfant Jésus et sainte Anne, dit La Sainte Anne, Léonard de Vinci, 1e quart du XVIe siècle (vers 1503 - 1519)

Leonardo da Vinci

Madonna og barnet med Sankt Anne, 1e quart du XVIe siècle (vers 1503 - 1519)

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, Léonard de Vinci, 4e quart du XVe siècle (vers 1483 - 1494)

Leonardo da Vinci

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, 4e quart du XVe siècle (vers 1483 - 1494)

Esclave rebelle, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Michelangelo

Esclave rebelle, 1513 - 1515

Esclave mourant, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Michelangelo

Døende slave, 1513 - 1515