La Duchesse de Choiseul, Auguste Rodin, 1908
Auguste Rodin, portrætAuguste RodinFrankrig, 1840–1917

La Duchesse de Choiseul

1908 · Bust

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Hvor er »La Duchesse de Choiseul« i dag? Victoria and Albert Museum, Sculpture, Room 21, The Dorothy and Michael Hintze Galleries, London. Ja, udstillet nu. Kontrolleret 25. september 2026.

Victoria and Albert Museum

London, Storbritannien

SalSculpture, Room 21, The Dorothy and Michael Hintze Galleries

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Om skulpturen

Claire Coudert (1864-1919) was the eldest daughter of a well-known New York lawyer, Charles Coudert. The family was originally French but moved to America in 1824. She married the Marquis (later Duc) de Choiseul in 1891 and moved to France. She enjoyed a close friendship with Rodin from about 1904 until he ended their relationship in 1912. Before then, she had dominated many aspects of his life, cutting him off from his friends and relations and taking control of his business dealings, especially with the U.S.A. She was responsible for introducing Rodin to the American millionaire Thomas Ryan, who was instrumental in introducing his work to the USA. (See Museum no. A.48-1914). In effect, the Duchess became Rodin's agent, conducting negotiations with potential buyers.

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Both this portrait and its companion (Museum no. A.45-1914) are close studies of an intimate friend. They were not commissioned and have a great informalilty and vitality. Rodin was able to observe and draw the Duchess in a very natural way, capturing her lively personality. In this earlier version she is pensive, with her head to one side, unlike the later version where she smiles. In both versions, hair springs up unusually from her forehead; Marcelle Tirel, employed by Rodin at the time, reported that Rodin noticed she wore false hair. These are amongst the most intimate and informal of all Rodin's portraits.

Victoria and Albert Museum

Oplysninger

Inventarnummer
A.46-1914

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Kilder

Imens i livet hos Auguste Rodin

Hele livet
  1. 1890s–1900s

    Unge billedhuggere i Rodins værksted

    Indtægterne gjorde det muligt at ansætte talentfulde unge billedhuggere, blandt dem Antoine Bourdelle, Charles Despiau, Jules Desbois, François Pompon og Aristide Maillol. Constantin Brancusi forlod værkstedet efter to måneder med den overbevisning, at intet vokser under et stort træ.

  2. 1900s

    Portrætter af berømte og velhavende

    Rodin begyndte regelmæssigt at modtage portrætbestillinger; blandt kunderne var Bernard Shaw, Gustav Mahler, Georges Clemenceau, Argentinas præsident Sarmiento, kemikeren Berthelot og filantropen Bertha Palmer. Clemenceau var utilfreds: efter hans mening lignede portrættet en »mongolsk general«.

  3. 1905–1906

    Rilke som Rodins sekretær

    I 1905–1906 var den tyske digter Rainer Maria Rilke billedhuggerens privatsekretær; senere skrev han en begejstret monografi om Rodin.

  4. 1906 · Udmærkelse

    honorary doctorate of the University of Glasgow

  5. 1907 · Udmærkelse

    Honorary doctor of the University of Oxford

  6. 1908

    Flytter ind i Hôtel Biron

    Rilke inviterede Rodin til palæet fra det 18. århundrede, hvor han lejede værelser; Rodin syntes så godt om stedet, at han lejede stueetagen, flyttede sit atelier dertil og boede der i sine sidste år.

Alle værker

I samme sal · Sculpture, Room 21, The Dorothy and Michael Hintze Galleries, Victoria and Albert Museum

Museets side

Om samme emne · Bust

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