ART WIKI32.979 udstillet
KortSamlingKunstnereMuseerUdstillingerJournal
Log ind

ART WIKI

Hvor mesterværket hænger, og hvornår man bliver lukket ind.

Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

Afsnit

  • Kort
  • Søgning
  • Samling
  • Mesterværker
  • Udstillet nu
  • Kunstnere

Mere

  • Museer & gallerier
  • Udstillinger
  • Journal
  • Hvor data kommer fra
  • Privatliv & cookies
ForsideKortKatalog
  1. Samling/
  2. Victoria and Albert Museum/
  3. King William III
King William III, John van Nost I, ca. 1695
JJohn van Nost I

King William III

ca. 1695 · Model · 53.5 × 35 cm

Om skulpturen

Object Type

The King is shown holding a sceptre and looking towards his left. He wears a cloak lined with ermine (a white fur), the Chain and Order of the Garter, and a long curling wig. It is thought to be the original model for the lifesize stone figure of William III on the Royal Exchange erected in 1695. The statue has since been lost, following a fire at the Exchange of 1838.

People

John Nost Nost (1686-1710) was a native of Malines in The Netherlands. He is first recorded in England around 1678, working at Windsor Castle under Hugh May. His workshop was in the Haymarket and he specialised in lead figures, though he also worked in other materials, such as stone and terracotta. He had many important patrons and was commissioned to make a number of garden figures for great houses and palaces, including Castle Howard and Hampton Court Palace.

Materials & Making

Læs videre

Terracotta (baked clay) was commonly used for sculptors' models. The clay could be modelled freely before firing, and when fired was a durable material which could be painted or scaled up into a larger piece. Often, as must have happened with this piece, the terracotta model was valued on its own account.

Victoria and Albert Museum

Oplysninger

Inventarnummer
A.35-1939

Mere af John van Nost I

Alle værker

I samme sal · British Galleries, Room 54, Victoria and Albert Museum

Museets side

Må man se det?

Ja, det tager imod

Victoria and Albert Museum

London, Storbritannien

SalBritish Galleries, Room 54

Udstillet for publikum. Hvem der står inde for det, står nedenfor.

Kontrolleret
for 13 dage siden
Uændret siden
25. sep. 2026
Kilde
Museet
På kortetMuseets side

Hvad det viser

William (III, King of England)

I kataloget

SkulpturTerrakotta og keramikBarok1600-talletEngland

Kilder

  • Victoria and Albert Museum
  • Billede: Victoria and Albert Museum — © Victoria and Albert Museum, London
King William III, John van Nost I, about 1700

King William III

about 1700 · Ikke udstillet · Victoria and Albert Museum

A portrait of the Vigor Family: Jane Vigor, Joseph Vigor, Ann Vigor, William Vigor and probably John Penn, Joseph Highmore, 1744

Joseph Highmore

A portrait of the Vigor Family: Jane Vigor, Joseph Vigor, Ann Vigor, William Vigor and probably John Penn, 1744

John Fane, 7th Earl of Westmorland, Thomas Ady, 1742

Thomas Ady

John Fane, 7th Earl of Westmorland, 1742

Richard Temple, 1st Viscount Cobham, Peter Scheemakers, ca. 1740

Peter Scheemakers

Richard Temple, 1st Viscount Cobham, ca. 1740

Sir Isaac Newton (1642-1727), John Michael Rysbrack, ca. 1730

John Michael Rysbrack

Sir Isaac Newton (1642-1727), ca. 1730

An Allegorical Tomb of John Somers, Lord Chancellor of England, Canaletto, ca. 1726

Canaletto

An Allegorical Tomb of John Somers, Lord Chancellor of England, ca. 1726

The Architect James Gibbs, John Michael Rysbrack, 1726

John Michael Rysbrack

The Architect James Gibbs, 1726

Aeneas before Dido, and Venus Supplicating Jupiter, James Thornhill, ca. 1720

James Thornhill

Aeneas before Dido, and Venus Supplicating Jupiter, ca. 1720

William and Mary Presenting the Cap of Liberty to Europe (sketch for the painted ceiling of the Great Hall, Greenwich Hospital), James Thornhill, ca. 1710

James Thornhill

William and Mary Presenting the Cap of Liberty to Europe (sketch for the painted ceiling of the Great Hall, Greenwich Hospital), ca. 1710