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ForsideKortKatalog
  1. Samling/
  2. Victoria and Albert Museum/
  3. Invention
Invention, Angelica Kauffmann, ca. 1778-1780
Angelica Kauffmann, portrætAngelica KauffmannSchweiz, 1741–1807

Invention

ca. 1778-1780 · Drawing

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Victoria and Albert Museum

London, Storbritannien

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Kontrolleret
for 12 dage siden
Uændret siden
25. sep. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

ca. 1778-1780
17411807
Inventarnummer
E.865-1948

I kataloget

Tegninger & akvarellerOlieRokokoKlassicisme1700-talletLondon

Kilder

  • Victoria and Albert Museum
  • Billede: Victoria and Albert Museum — © Victoria and Albert Museum, London

Imens i livet hos Angelica Kauffmann

Hele livet
  1. 1769–1782

    An annual exhibitor at the Royal Academy

    From 1769 until 1782 Kauffman exhibited at the Royal Academy every year, sometimes sending as many as seven pictures, generally on classical or allegorical subjects.

  2. 1770s

    Engravers reproduce her pictures

    At the same time Kauffman began to work with engravers who copied her pictures for wide distribution, and she became a commercially successful artist.

  3. 1781

    Returns to Rome

    Disappointed by the relative apathy of the British towards history painting, Kauffman left London, where she had lived for fifteen years, in 1781, after her marriage to Antonio Zucchi, and returned to Rome, where that genre was better known and enjoyed the patronage of patrons and collectors.

  4. 1781

    Married: Antonio Zucchi

  5. after 1781

    Befriends Goethe in Rome

    In Rome Kauffman befriended, among others, Johann Wolfgang von Goethe.

  6. 1782

    Her father, Joseph Johann Kauffmann, dies

    In 1782 Angelica’s father, Joseph Johann Kauffmann (1707–1782), died; he was her first teacher of painting, and she had worked and travelled with him through Switzerland, Austria and Italy.

Mere af Angelica Kauffmann

Alle værker
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · Eremitagen

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · Metropolitan Museum of Art

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · Metropolitan Museum of Art

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · Metropolitan Museum of Art

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · Metropolitan Museum of Art

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · Metropolitan Museum of Art

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · Metropolitan Museum of Art

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Victoria and Albert Museum

Naboer på Victoria and Albert Museum

Museets side
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024