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Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970 (ongoing)
Cildo Meireles, portrætCildo MeirelesBrasilien, 1948

Insertions into Ideological Circuits: Coca-Cola Project

1970 (ongoing) · Sculpture

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Art Institute of Chicago

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Cildo Meireles’s ongoing Coca-Cola Project, part of his larger Insertions into Ideological Circuits series, interrogates how power—socioeconomic and political—is distributed through networks of trade and consumerism. Meireles noted his intention on each bottle: “To register informations and critical opinions on bottles and return them to circulation.” Each bottle also carries a distinct political provocation. These three read, “Yankees go home!,” “Jesse Helms No!,” and “Which is the place of a work of art?” With this project, Meireles took advantage of the global reach of American consumer culture by appropriating and personalizing one of its most popular exports.

Art Institute of ChicagoCC BY 4.0

Oplysninger

Inventarnummer
2014.1201

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SkulpturEfterkrigskunst1900-tallet

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Mere af Cildo Meireles

Alle værker
Virtual Spaces: Corners 1, Cildo Meireles, 1967-68/1983

Virtual Spaces: Corners 1

1967-68/1983 · Ikke udstillet · Museum of Modern Art

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula), Cildo Meireles, 1970

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula)

1970 · Ikke udstillet · Museum of Modern Art

Insertions into Ideological Circuits: Coca-Cola Project (Inserções em Circuitos Ideológicos: Projeto Coca-Cola), Cildo Meireles, 1970

Insertions into Ideological Circuits: Coca-Cola Project (Inserções em Circuitos Ideológicos: Projeto Coca-Cola)

1970 · Ikke udstillet · Museum of Modern Art

To Be Curved with the Eyes, Cildo Meireles, 1970/78

To Be Curved with the Eyes

1970/78 · Ikke udstillet · Museum of Modern Art

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula), Cildo Meireles, 1970

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula)

1970 · Ikke udstillet · Museum of Modern Art

Zero Cruzeiro, Cildo Meireles, 1974–78

Zero Cruzeiro

1974–78 · Ikke udstillet · Museum of Modern Art

Insertions into Ideological Circuits: Banknote Project: Who Killed Herzog? (Inserções em circuitos ideológicos: Projeto Cédula: Quem matou Herzog?), Cildo Meireles, 1975

Insertions into Ideological Circuits: Banknote Project: Who Killed Herzog? (Inserções em circuitos ideológicos: Projeto Cédula: Quem matou Herzog?)

1975 · Ikke udstillet · Museum of Modern Art

The Difference between the Circle and the Sphere Is the Weight, Cildo Meireles, 1976

The Difference between the Circle and the Sphere Is the Weight

1976 · Ikke udstillet · Museum of Modern Art

Naboer på Art Institute of Chicago

Museets side
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

En søndag eftermiddag på øen La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Gade i Paris på en regnvejrsdag, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

To søstre, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942