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  1. Samling/
  2. Victoria and Albert Museum/
  3. <i>Il Bravo</i>
<i>Il Bravo</i>, after Titian, 16th century
Aafter TitianItalien

<i>Il Bravo</i>

16th century · Oil painting · 58.3 × 73.6 cm

Om maleriet

Titian (c. ?1485–90-1576) was a Venetian painter, draughtsman and printmaker and treated all manners of subjects from religious subjects to portraits and allegories and scenes from Classical mythology and history. His work marks the transition from the 15th-century tradition characterised by meticulous finish and the use of bright local colours to the 16th century interest in a broader technique, with less defined outlines and more congruous colouring. Although based in Venice, Titian received commissions for royal and noble patrons outside Venice and Italy, notably for Philip II of Spain and his works had a formative influence on major European painters of the 17th century, including Rubens and Velázquez.

Læs videre

CAI.97 appears to be a 16th century copy of Titian's painting of ca. 1521-23 in the Kunsthistorisches Museum, Vienna of roughly the same dimensions. The Vienna picture is recorded as in the home of Zuan Antonio Venier in Venice in 1528 and in the collection of Bartolomeo della Nave in the same city by 1648, suggesting that the V&A copy was painted there around this time. However, the V&A picture lacks the luminescent colouring, skilled handling of light and the same attention to detail visible in Titian's original. There are also some differences in the facial expression of the youth.

The subject represented is still debated, with scholars divided as to whether it depicts an episode from Plutarch's Life of Marius in which Caius Lucius attacks Trebonius or a subject derived from Euripides' Bacchae and Ovid's Metamorphoses,: Bacchus' arrest by Pentheus, the king of Thebes, who opposed the spread of his cult. The identification of the scene with Bacchus is supported by the crown of vine leaves worn by the young man and his mane of blond hair, also visible in Titian's representation of the god in the Bacchus and Ariadne (London, National Gallery, NG35). Several other copies of the Vienna picture are known.

Victoria and Albert Museum

Oplysninger

Inventarnummer
CAI.97

Mere af after Titian

Alle værker

Naboer på Victoria and Albert Museum

Museets side

Om samme emne · Daggers (weapons)

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Victoria and Albert Museum

London, Storbritannien

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Kontrolleret
for 13 dage siden
Uændret siden
25. sep. 2026
Kilde
Museet
På kortetMuseets side

Hvad det viser

Daggers (weapons)IvyWreathBody armour

I kataloget

MalerierOlieItaliensk maleriRenæssancen1500-talletDen venetianske skole i maleriet

Kilder

  • Victoria and Albert Museum
  • Billede: Victoria and Albert Museum — © Victoria and Albert Museum, London
The Submersion of Pharaoh's Army in the Red Sea (block k), After Titian, c. 1514-c. 1515

The Submersion of Pharaoh's Army in the Red Sea (block k)

c. 1514-c. 1515 · Ikke udstillet · Harvard Art Museums

The Submersion of Pharaoh's Army in the Red Sea, After Titian, c. 1514-1515

The Submersion of Pharaoh's Army in the Red Sea

c. 1514-1515 · Ikke udstillet · Harvard Art Museums

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Standing figure of an officer, ca. 1628 - ca. 1658

Standing figure of an officer, ca. 1628 - ca. 1658

Ikke udstillet · Victoria and Albert Museum

Painting, mid to late 17th century

Painting, mid to late 17th century

Ikke udstillet · Victoria and Albert Museum

Painting, first half 18th century

Painting, first half 18th century

Ikke udstillet · Victoria and Albert Museum