Utagawa KunisadaJapan, 1786–1865Hoofdstuk 14
Må man se det?
Ukendt
Amsterdam, Holland
Ejeren er kendt; om værket er udstillet i dag, vides ikke.
- Kilde
- Museet
Om værket
Med museets ord — på nederlandsk
Prins Genji met waaier staand bij waterput, kijkend naar vrouw zittend op veranda van eerste verdieping; een dienstmeisje met zwaard in rechter hand kijkt toe. Voorstelling omsloten door bruine rand waarin Genji emblemen.
Rijksmuseum Amsterdam
Oplysninger
- Inventarnummer
- RP-P-1902-A-22843
Hvad det viser
I kataloget
Kilder
- Rijksmuseum Amsterdam
- Billede: Rijksmuseum Amsterdam — public domain
Imens i livet hos Utagawa Kunisada
Hele livet1820–1860
Dominance in Sumo Wrestler Portraits
From 1820 to 1860 he dominated the market for printed portraits of sumo wrestlers.
1835–1850
Monopoly on Prints Based on "The Tale of Genji"
From 1835 to 1850 he held a near-total monopoly on the genre of prints connected with "The Tale of Genji"; only after 1850 did other artists begin producing similar sheets.
mid-1840s – early 1850s
Collaboration with Hiroshige and Kuniyoshi
From the mid-1840s to the early 1850s he collaborated with Hiroshige and Kuniyoshi on three large series and a number of smaller projects; the cooperation was in large part a show of solidarity against the tightened censorship of the Tenpō reforms.
