Claude LorrainFrankrig, 1600–1682Harbor Scene with Rising Sun
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Known primarily as a preeminent French Baroque painter, Claude Lorrain also produced over 30 etchings while in Rome during the early years of his career. Though his patrons considered his prints secondary to his paintings, Lorrain saw the two media as individually important. Italian harbors, along with ancient ruins and triumphal prints, were recurring themes in Lorrain’s work. The lyrical and classical elements of his paintings transfer fluidly into his prints. In Harbor Scene with Rising Sun, the artist constructed a romanticized setting where the effects of the morning sun seem to calm the clouds and warm the waters.
Art Institute of ChicagoCC BY 4.0
Oplysninger
- Inventarnummer
- 1938.1498
I kataloget
Kilder
- Art Institute of Chicago
- Billede: Art Institute of Chicago — CC0
Imens i livet hos Claude Lorrain
Hele livet1633–1635
Growing fame: commissions from the French ambassador and Philip IV
Claude’s growing reputation was shown by commissions from the French ambassador in Rome (1633) and from Philip IV of Spain (1634–35).
1634
Admitted to the Academy of Saint Luke
In 1634 Claude was admitted to the Academy of Saint Luke.
1635
Recognition: his pictures are in demand
From 1635 Claude’s work was recognised and his paintings were in great demand; his patrons included Pope Urban VIII (four works), Cardinal Bentivoglio and Prince Colonna.
1635–1638
Pope Urban VIII commissions four paintings
According to Baldinucci, Cardinal Guido Bentivoglio, impressed by the two landscapes Claude painted for him, recommended the artist to Pope Urban VIII; four paintings were made for the Pope in 1635–38, two large and two small on copper.
