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  3. German Fascism
German Fascism, Luis Arenal, 1939
LLuis ArenalMexico, 1909–1985

German Fascism

1939 · Print

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Art Institute of Chicago

Chicago, USA

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The Taller de Gráfica Popular participated in the media war against profascist forces in Mexico, and some of its earliest prints were commissioned by antifascist organizations such as the Liga Pro-Cultura Alemana (League for German Culture), a Mexico City–based group of European political exiles. In 1939 the Taller illustrated posters for the Liga advertising lectures on fascism. Some examples reveal the workshop’s sophisticated solutions to representing this domestic and international threat. A photomontage of the Nazis’ notorious aerial campaigns—a new war strategy used against civilians during the Spanish Civil War—recalls the political satires of the German Dada artist John Heartfield, while the Japanese image mocks Emperor Hirohito as a bloated insect. In contrast, the poster for the lecture by Mexican labor leader Vicente Lombardo Toledano visualizes the inclusive nature of the Popular Front antifascist alliance by showing a professional linking arms with the traditional revolutionary trinity of a soldier, an urban worker, and a peasant.

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Español:El Taller de Gráfica Popular participó en la guerra mediática en contra de los grupos profascistas de México, y algunos de sus primeros grabados fueron comisionados por organizaciones antifascistas tales como la Liga Pro-Cultura Alemana, una agrupación de exiliados políticos europeos en el D. F. En 1939, el Taller ilustró carteles para la Liga en los que se publicitaban conferencias sobre el fascismo. Algunos ejemplos muestran las sofisticadas estrategias gráficas diseñadas para representar la amenaza fascista a nivel nacional e internacional. El fotomontaje de las tristemente célebres campañas aéreas nazis —formas de guerra desplegadas en contra de la población civil durante la Guerra Civil Española— recuerda las sátiras políticas del artista dadaísta alemán John Heartfield, mientras la imagen japonesa hace burla del emperador Hirohito en la figura de un insecto hinchado.

En contraste, el cartel para la conferencia del líder obrero mexicano Vicente Lombardo Toledano proyecta el espíritu inclusivo de la alianza antifascista del Frente Popular mostrando a un profesional marchando hombro con hombro con la tradicional trinidad revolucionaria de un soldado, un obrero y un campesino.

Art Institute of Chicago · CC BY 4.0

Oplysninger

1939 · 30 år gammel
19091985
Inventarnummer
1944.882

I kataloget

GrafikLitografiModernisme1900-talletMexico

Kilder

  • Art Institute of Chicago
  • Billede: Art Institute of Chicago — © the artist or rights holder

Mere af Luis Arenal

Alle værker
Mujer de Taxco, Luís Arenal, 1937 (1947 edition)

Mujer de Taxco

1937 (1947 edition) · Ikke udstillet · Minneapolis Institute of Art

Women in Profile (Mujeres de perfil), Luis Arenal, 1945

Women in Profile (Mujeres de perfil)

1945 · Ikke udstillet · The Cleveland Museum of Art

Head of a Woman (Cabeza de Mujer), Luis Arenal, 1947

Head of a Woman (Cabeza de Mujer)

1947 · Ikke udstillet · Museum of Modern Art

Naboer på Art Institute of Chicago

Museets side
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

En søndag eftermiddag på øen La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Gade i Paris på en regnvejrsdag, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

To søstre, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942