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  1. Samling/
  2. Det Russiske Museum/
  3. Фронтиспис
Фронтиспис, Boris Kustodiev, 1922
Boris Kustodiev, portrætBoris Kustodiev1878–1927

Фронтиспис

1922 · Print · 23 × 15.8 cm

Må man se det?

Ukendt

Det Russiske Museum

Sankt Petersborg, Rusland

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
28. sep. 2026
Kilde
Museet
På kortetMuseets side

Om værket

Med museets ord — på russisk

Создан для монографии В. В. Воинова о художнике, помещен в качестве шмуцтитула к альбому репродукций (см.: Воинов В. В. Б. М. Кустодиев. Л.: ГИЗ, 1925). Также известен под названиями: «Занавеска», «Натюрморт», «В мастерской Б. М. Кустодиева».

Det Russiske Museum

Oplysninger

1922 · 44 år gammel
18781927
Inventarnummer
С.Гр.-11754

Hvad det viser

Soviet artMir iskusstvaF. F. Notgaft collectionWorks of art

I kataloget

GrafikLitografiModernisme1900-talletIllustrationStilleben

Kilder

  • Det Russiske Museum
  • Billede: Det Russiske Museum — © State Russian Museum

Imens i livet hos Boris Kustodiev

Hele livet
  1. 1918–1921

    Opera designs: “The Snow Maiden”, “The Tsar's Bride”

    His opera designs were a success: “The Snow Maiden” for the Bolshoi Theatre (1918, never staged), “The Tsar's Bride” at the Bolshoi Opera Theatre of the People's House (1920), and set and costume designs for Serov's “The Power of the Fiend” at the former Mariinsky Theatre (1921).

  2. 1922

    Illustrates Zamyatin's “How the Monk Erasmus Was Healed”

    Kustodiev designed a separate illustrated edition of Yevgeny Zamyatin's story “How the Monk Erasmus Was Healed”. Zamyatin recalled that a seemingly insoluble task was solved with remarkable elegance, tact and a great sense of humour.

  3. 1922–1923

    Illustrates Leskov

    With his fine feeling for line, Kustodiev illustrated Leskov's “The Darner” (1922) and “Lady Macbeth of the Mtsensk District” (1923); he also worked in lithography and linocut.

  4. 1923

    Joins the Association of Artists of Revolutionary Russia

    Kustodiev joined the Association of Artists of Revolutionary Russia, and continued to paint, make engravings, illustrate books and design for the theatre until his death.

Mere af Boris Kustodiev

Alle værker
Портрет искусствоведа и реставратора А. И. Анисимова, Boris Kustodiev, 1915

Портрет искусствоведа и реставратора А. И. Анисимова

1915 · Det Russiske Museum

Масленица, Boris Kustodiev, 1916

Масленица

1916 · Det Russiske Museum

Купчиха за чаем, Boris Kustodiev, 1918

Купчиха за чаем

1918 · Det Russiske Museum

Портрет Ф. И. Шаляпина, Boris Kustodiev, 1922

Портрет Ф. И. Шаляпина

1922 · Det Russiske Museum

Портрет художника И. Я. Билибина, Boris Kustodiev, 1901

Портрет художника И. Я. Билибина

1901 · Det Russiske Museum

Натюрморт. Гранаты, Boris Kustodiev, 1910

Натюрморт. Гранаты

1910 · Det Russiske Museum

Портрет Федора Сологуба, Boris Kustodiev, 1912

Портрет Федора Сологуба

1912 · Det Russiske Museum

Цветущая глициния, Boris Kustodiev, 1912

Цветущая глициния

1912 · Det Russiske Museum

Naboer på Det Russiske Museum

Museets side
Два овала, Vasily Kandinsky, 1919

Vasily Kandinsky

Два овала, 1919

Синий гребень, Vasily Kandinsky, 1917

Vasily Kandinsky

Синий гребень, 1917

Импровизация 11, Vasily Kandinsky, 1910

Vasily Kandinsky

Импровизация 11, 1910

Zaporozje-kosakkernes brev til den tyrkiske sultan, Ilya Repin, 1880–1891

Ilya Repin

Zaporozje-kosakkernes brev til den tyrkiske sultan, 1880–1891

Автопортрет (Художник), Kazimir Malevich, 1933

Kazimir Malevich

Автопортрет (Художник), 1933

Red Cavalry Riding, Kazimir Malevich, c. 1932

Kazimir Malevich

Red Cavalry Riding, c. 1932

На жатву (Марфа и Ванька), Kazimir Malevich, 1928-1929

Kazimir Malevich

На жатву (Марфа и Ванька), 1928-1929

Черный квадрат, Kazimir Malevich, c. 1923

Kazimir Malevich

Черный квадрат, c. 1923