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Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

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  1. Samling/
  2. Victoria and Albert Museum/
  3. Figure group
Figure group, Angelica Kauffman, ca. 1775
Angelica Kauffmann, portrætAngelica KauffmannSchweiz, 1741–1807

Figure group

ca. 1775 · Figure group

Oplysninger

ca. 1775
17411807
Inventarnummer
C.274-1935

Imens i livet hos Angelica Kauffmann

Hele livet
  1. 1769–1782

    An annual exhibitor at the Royal Academy

    From 1769 until 1782 Kauffman exhibited at the Royal Academy every year, sometimes sending as many as seven pictures, generally on classical or allegorical subjects.

  2. 1770s

    Engravers reproduce her pictures

    At the same time Kauffman began to work with engravers who copied her pictures for wide distribution, and she became a commercially successful artist.

  3. 1773

    Chosen to decorate St Paul’s Cathedral

    In 1773 Kauffman, the only woman among the artists chosen, was appointed to decorate St Paul’s Cathedral in London, but the scheme was never carried out.

  4. 1775

    The scandal over Nathaniel Hone’s “The Conjurer”

    In 1775 the Academician Nathaniel Hone, a critic of Kauffman’s friendship with Reynolds, courted controversy with his satirical picture “The Conjurer”, seen as an attack on the fashion for Italian Renaissance art and a ridicule of Reynolds; the Academy rejected it, and it had originally included a nude caricature of Kauffman in one corner, which Hone painted out after she complained.

Mere af Angelica Kauffmann

Alle værker

I samme sal · Ceramics, Room 139, The Curtain Foundation Gallery, Victoria and Albert Museum

Museets side

Om samme emne · Kvinde

Alle værker om emnet

Må man se det?

Ja, det tager imod

Victoria and Albert Museum

London, Storbritannien

SalCeramics, Room 139, The Curtain Foundation Gallery

Udstillet for publikum. Hvem der står inde for det, står nedenfor.

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Uændret siden
25. sep. 2026
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Hvad det viser

KvindeVirginsTræCupid

I kataloget

SkulpturTerrakotta og keramikRokokoKlassicisme1700-talletDerby

Kilder

  • Victoria and Albert Museum
  • Billede: Victoria and Albert Museum — © Victoria and Albert Museum, London
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · Eremitagen

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · Metropolitan Museum of Art

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · Metropolitan Museum of Art

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · Metropolitan Museum of Art

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · Metropolitan Museum of Art

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · Metropolitan Museum of Art

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · Metropolitan Museum of Art

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Victoria and Albert Museum

Avarice, Janice Tchalenko, 1993

Janice Tchalenko

Avarice, 1993

Sloth, Janice Tchalenko, 1993

Janice Tchalenko

Sloth, 1993

Gluttony, Janice Tchalenko, 1993

Janice Tchalenko

Gluttony, 1993

Pride, Janice Tchalenko, 1993

Janice Tchalenko

Pride, 1993

Envy, Janice Tchalenko, 1993

Janice Tchalenko

Envy, 1993

Venus et Amour, Philip Eglin, 1990

Philip Eglin

Venus et Amour, 1990

Bølge og fugl, Kari Christensen, 1984

Kari Christensen

Bølge og fugl, 1984

Sipulit, Gunvor Olin-Grönqvist, ca. 1982-1984

Gunvor Olin-Grönqvist

Sipulit, ca. 1982-1984

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Vincent van Gogh

Madame Roulin and Her Baby, 1888

Metropolitan Museum of Art

Garden at Sainte-Adresse, Claude Monet, 1867

Claude Monet

Garden at Sainte-Adresse, 1867

Metropolitan Museum of Art

Condesa de Altamira and Her Daughter, María Agustina, Goya, 1787–88

Francisco de Goya

Condesa de Altamira and Her Daughter, María Agustina, 1787–88

Metropolitan Museum of Art

Two Women on the Shore, Edvard Munch, 1898

Edvard Munch

Two Women on the Shore, 1898

Rijksmuseum Amsterdam

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662

Johannes Vermeer

Young Woman with a Water Pitcher, ca. 1662

Metropolitan Museum of Art

Study of a Young Woman, Johannes Vermeer, ca. 1665–67

Johannes Vermeer

Portræt af en ung kvinde, ca. 1665–67

Metropolitan Museum of Art

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

Paul Gauguin

Ia Orana Maria (Hail Mary), 1891

Metropolitan Museum of Art

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635

Peter Paul Rubens

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635

Metropolitan Museum of Art