En almuesmand set bagfra, Nicolai Abildgaard, 1780-1789
Nicolai Abildgaard, portrætNicolai AbildgaardDanmark, 1743–1809

En almuesmand set bagfra

1780-1789 · Drawing

Kan det ses?

Ikke udstillet lige nu

Hvor er »En almuesmand set bagfra« i dag? Samling: Statens Museum for Kunst, København. Ikke udstillet lige nu. Kontrolleret 29. september 2026.

Statens Museum for Kunst

København, Danmark

Det hører til samlingen, men er ikke udstillet for tiden.

Kontrolleret
Uændret siden
Kilde
Museet

Oplysninger

Inventarnummer
KKSgb3655

I kataloget

Kilder

Imens i livet hos Nicolai Abildgaard

Hele livet
  1. 1778

    Professor at the Academy of Art

    Soon after joining the Academy Abildgaard was appointed to a professorship, teaching mythology and anatomy as well as neoclassical painting. His pupils included Asmus Jacob Carstens, the sculptor Bertel Thorvaldsen and the painters Johan Ludvig Lund and Christoffer Wilhelm Eckersberg.

  2. c. 1780

    The commission for the Knights’ Hall at Christiansborg

    As royal history painter Abildgaard received a prestigious and lucrative commission for a monumental history of Denmark to fill the Knights’ Hall of Christiansborg Palace. The allegorical and mythological imagery glorified the government, while his teacher Mandelberg supplied the room’s decorations.

  3. 1781

    Marries Nancy Oxholm; a son is born

    Abildgaard married Anna Marie “Nancy” Christiane Oxholm, who that same year bore him a son, Marcus Aurelius. Later, on discovering her affair with the court chamberlain Reinhard von Eppingen, he forced the pair to flee in disgrace across the Sound to Helsingborg in Sweden, and divorced.

  4. c. 1785

    Death of his four-year-old son Marcus Aurelius

    The painter’s son Marcus Aurelius, born in 1781, lived only to the age of four.

  5. 1789

    Unanimously elected director of the Academy

    After a failed attempt in 1787, Abildgaard was unanimously elected director of the Academy, serving in 1789–1791 (by other accounts until 1792). He had a reputation as a tyrant who took as many of the Academy’s monumental commissions as he could for himself.

  6. 1789–1790

    Revolutionary ideals in the Knights’ Hall

    Inspired by the French Revolution, Abildgaard tried to bring its ideals into the paintings of the Knights’ Hall at Christiansborg, but the King rejected his designs.

Alle værker

Også på Statens Museum for Kunst

Museets side