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Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

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  1. Samling/
  2. Louvre/
  3. Effet de pluie
Effet de pluie, Rousseau, Théodore, 2e quart du XIXe siècle (1825 - 1850)
Théodore Rousseau, portrætThéodore RousseauFrankrig, 1812–1867

Effet de pluie

2e quart du XIXe siècle (1825 - 1850) · Peintures

Må man se det?

Ukendt

Louvre

Paris, Frankrig

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
26. sep. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

2e quart du XIXe siècle (1825 - 1850)
18121867
Inventarnummer
RF 1938 108

I kataloget

MalerierOlieFransk maleriKlassicismeRomantikken1800-tallet

Kilder

  • Louvre
  • Billede: Louvre — © 2011 GrandPalaisRmn (musée du Louvre) / Michel Urtado

Imens i livet hos Théodore Rousseau

Hele livet
  1. 1831

    Salon debut: a landscape of the Auvergne

    The nineteen-year-old Rousseau submitted work to the Paris Salon, and his landscape of the wild Auvergne won recognition for its lively brushwork. At the Salons of 1831, 1833, 1834 and 1835 he showed six works.

  2. 1836

    The Salon rejects “Landscape of the Jura”

    In 1836 the Salon jury rejected Rousseau's great work “Landscape of the Jura” (“The Descent of the Cattle”), and of the eight works he sent to the Salon between 1836 and 1841 none was accepted. By other accounts, the four Salons after his 1831 debut had already gone badly.

  3. winter 1836 – 1837

    First winter at Barbizon

    Rousseau spent the winter of 1836–1837 at Barbizon with the painters Narcisse Díaz de la Peña and Théodore Caruelle d'Aligny; the nature there impressed him so deeply that from then on he came back every year. In time a circle of painters who, like him, painted nature from life gathered around him — Cabat, Daubigny, Dupré — and so the Barbizon school gradually took shape.

  4. 1848

    Settles in Barbizon for good

    Until then Rousseau had lived at Barbizon only occasionally, but in 1848 he settled in the forest village (with his wife, by some accounts) and spent most of his remaining days in its vicinity. His neighbour, the landscape painter Jules Dupré, recalled how hard Rousseau found it to know when a picture was finished, and how he would sometimes carry off a canvas on which his friend had laboured too long.

  5. 1849

    Returns to the Salon

    In 1849 Rousseau sent work to the Salon again, and all three of his submissions were accepted. He could now obtain fair sums for his pictures, though only about a tenth of their value thirty years after his death, and his admirers grew in number.

  6. 1851

    Exhibits “The Edge of the Forest”

    In 1851, after the reorganization of the Salon of 1848, Rousseau exhibited his masterpiece, “The Edge of the Forest” (now in the Louvre). The authorities still ignored him: that year the Legion of Honour went to Narcisse Diaz, whom Rousseau had taught to paint trees, while he himself received the Cross only soon afterwards.

Mere af Théodore Rousseau

Alle værker
The Forest in Winter at Sunset, Théodore Rousseau, ca. 1846–67

The Forest in Winter at Sunset

ca. 1846–67 · Metropolitan Museum of Art

L'allée des châtaigniers, Rousseau, Théodore, 2e quart du XIXe siècle (1825 - 1850)

L'allée des châtaigniers

2e quart du XIXe siècle (1825 - 1850) · Louvre

Panoramic Landscape near the River Moselle, Théodore Rousseau, c. 1830

Panoramic Landscape near the River Moselle

c. 1830 · National Gallery of Art

Paysage (Auvergne?), Rousseau, Théodore, 2e quart du XIXe siècle (vers 1830)

Paysage (Auvergne?)

2e quart du XIXe siècle (vers 1830) · Louvre

A River in a Meadow, Théodore Rousseau, ca. 1840

A River in a Meadow

ca. 1840 · Metropolitan Museum of Art

Village sous les arbres, Rousseau, Théodore, Milieu du XIXe siècle (1840 - 1860)

Village sous les arbres

Milieu du XIXe siècle (1840 - 1860) · Louvre

La plaine en avant des Pyrénées, Rousseau, Théodore, 2e quart du XIXe siècle (1844)

La plaine en avant des Pyrénées

2e quart du XIXe siècle (1844) · Louvre

A River Landscape, Théodore Rousseau, ca. 1845–50

A River Landscape

ca. 1845–50 · Metropolitan Museum of Art

Naboer på Louvre

Museets side
Portrait of Marten Soolmans, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Marten Soolmans, 1634

Portrait of Oopjen Coppit, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Oopjen Coppit, 1634

Portrait de Lisa Gherardini, épouse de Francesco del Giocondo, dit La Joconde ou Monna Lisa, Léonard de Vinci, 1e quart du XVIe siècle (1503 - 1519)

Leonardo da Vinci

Mona Lisa, 1e quart du XVIe siècle (1503 - 1519)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1517 - 1520)

Leonardo da Vinci

Saint Jean Baptiste, 1e quart du XVIe siècle (vers 1517 - 1520)

Saint Jean Baptiste, Léonard de Vinci, 1e quart du XVIe siècle (vers 1508 - 1519)

Leonardo da Vinci

Johannes Døberen, 1e quart du XVIe siècle (vers 1508 - 1519)

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, Léonard de Vinci, XVIe siècle (vers 1505 - 1520)

Leonardo da Vinci

La Vierge et l'Enfant Jésus, dite Vierge au dévidoir ou Vierge aux fuseaux, XVIe siècle (vers 1505 - 1520)

La Vierge, l'Enfant Jésus et sainte Anne, dit La Sainte Anne, Léonard de Vinci, 1e quart du XVIe siècle (vers 1503 - 1519)

Leonardo da Vinci

Madonna og barnet med Sankt Anne, 1e quart du XVIe siècle (vers 1503 - 1519)

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, Léonard de Vinci, 4e quart du XVe siècle (vers 1483 - 1494)

Leonardo da Vinci

La Vierge, l'Enfant Jésus, saint Jean Baptiste et un ange, dit La Vierge aux rochers, 4e quart du XVe siècle (vers 1483 - 1494)