ART WIKI 33.040 udstillet

Kort Samling Kunstnere Museer Udstillinger Journal

ART WIKI

Hvor mesterværket hænger, og hvornår man bliver lukket ind.

Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

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Forside Kort Katalog

Samling
Herzog Anton Ulrich-Museum
Die drei Bauern

Die drei Bauern, Albrecht Dürer, 1497–1498

Albrecht Dürer, portræt

Albrecht DürerTyskland, 1471–1528

Die drei Bauern

1497–1498 · Print

Må man se det?

Ukendt

Herzog Anton Ulrich-Museum

Braunschweig, Tyskland

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden: 27. sep. 2026
Kilde: Museet

På kortet Museets side

Oplysninger

1497–1498

14711528

Imens i livet hos Albrecht Dürer

1494–1495
First journey to Italy
Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.
1495
Opens his own workshop
Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.
1500
Jacopo de' Barbari and the secret of proportion
The Venetian Jacopo de' Barbari, whom Dürer had met in Venice, came to Nuremberg, and Dürer said he learned much from him about perspective, anatomy and proportion. Feeling that de' Barbari would not explain everything he knew, Dürer began studies of his own that became a lifelong preoccupation.

Mere af Albrecht Dürer

Fra samlingen: Herzog Anton Ulrich-Museum

Om samme emne · Männlicher Bauer

Alle værker om emnet

Hvad det viser

Männlicher Bauer Hieb- und Stichwaffen: Schwert Etwas in einer Tasche, in einem Korb oder Rucksack, etc. tragen Behälter aus pflanzlichen Materialien (außer Holz): Korb Bauer Kittel Sword Hut Korb Kopfbedeckung

I kataloget

Grafik Renæssancen 1400-tallet

Kilder

Herzog Anton Ulrich-Museum
Billede: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0

Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Metropolitan Museum of Art

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

Madonna og barn.

c. 1496/1499 · National Gallery of Art

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · National Gallery of Art

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Metropolitan Museum of Art

Man of Sorrows with Arms Outstretched, Albrecht Dürer, ca. 1500

Man of Sorrows with Arms Outstretched

ca. 1500 · Metropolitan Museum of Art

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · National Gallery of Art

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · National Gallery of Art

Salvator Mundi, Albrecht Dürer, ca. 1505

Salvator Mundi

ca. 1505 · Metropolitan Museum of Art

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

[Ein Bauer mit hoher Mütze und Gehstock; A Peasant in a High Cap, Standing Leaning on a Stick; Juif à grand bonnet], Rembrandt, 1639

Rembrandt van Rijn

[Ein Bauer mit hoher Mütze und Gehstock; A Peasant in a High Cap, Standing Leaning on a Stick; Juif à grand bonnet], 1639

Herzog Anton Ulrich-Museum

[Die drei Bäume; The Three Trees; Paysage aux trois arbres], Rembrandt, 1643

Rembrandt van Rijn

[Die drei Bäume; The Three Trees; Paysage aux trois arbres], 1643

Herzog Anton Ulrich-Museum

[Ein Bauer antwortet: "Dats niet"; A Peasant Replying: "Dats niet"; Deux gueux en pendans: Seconde pièce], Rembrandt, 1634

Rembrandt van Rijn

[Ein Bauer antwortet: "Dats niet"; A Peasant Replying: "Dats niet"; Deux gueux en pendans: Seconde pièce], 1634

Herzog Anton Ulrich-Museum

[Ein Bauer mit seinen Händen hinter dem Rücken; Peasant with His Hands behind His Back; Paysan, les mains derrière le dos], Rembrandt, 1629

Rembrandt van Rijn

[Ein Bauer mit seinen Händen hinter dem Rücken; Peasant with His Hands behind His Back; Paysan, les mains derrière le dos], 1629

Herzog Anton Ulrich-Museum

[Ein Bauer mit seinen Händen hinter dem Rücken; Peasant with His Hands behind His Back; Paysan, les mains derrière le dos], Rembrandt, 1629

Rembrandt van Rijn

[Ein Bauer mit seinen Händen hinter dem Rücken; Peasant with His Hands behind His Back; Paysan, les mains derrière le dos], 1629

Herzog Anton Ulrich-Museum

[Ein Bauer antwortet: "Dats niet"; A Peasant Replying: "Dats niet"; Deux gueux en pendans: Seconde pièce], Rembrandt, 1634

Rembrandt van Rijn

[Ein Bauer antwortet: "Dats niet"; A Peasant Replying: "Dats niet"; Deux gueux en pendans: Seconde pièce], 1634

Herzog Anton Ulrich-Museum

Man muss anfangen, Wenceslaus Hollar, 1627–1677

Wenceslaus Hollar

Man muss anfangen, 1627–1677

Herzog Anton Ulrich-Museum

[Die Spinnerin; The woman spinning; La fileuse], Adriaen van Ostade, 1652

Adriaen van Ostade

[Die Spinnerin; The woman spinning; La fileuse], 1652

Herzog Anton Ulrich-Museum