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  1. Samling/
  2. Herzog Anton Ulrich-Museum/
  3. Der Engelkampf
Der Engelkampf, Albrecht Dürer, 1496
Albrecht Dürer, portrætAlbrecht DürerTyskland, 1471–1528

Der Engelkampf

1496 · Print

Må man se det?

Ukendt

Herzog Anton Ulrich-Museum

Braunschweig, Tyskland

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
27. sep. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

1496 · 25 år gammel
14711528

Hvad det viser

Der sechste der sieben Engel stößt in die Tompete (Posaune): die vier Todesengel werden losgelassenAltarApokalypseAngelGottvaterKampfOffenbarung

I kataloget

GrafikRenæssancen1400-tallet

Kilder

  • Herzog Anton Ulrich-Museum
  • Billede: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0

Imens i livet hos Albrecht Dürer

Hele livet
  1. c. 1492 – 1494

    Basel: woodcuts for the printers

    In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.

  2. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  3. 7. juli 1494

    Married: Agnes Dürer

  4. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  5. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

Mere af Albrecht Dürer

Alle værker
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Metropolitan Museum of Art

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · Metropolitan Museum of Art

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

Madonna og barn.

c. 1496/1499 · National Gallery of Art

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · National Gallery of Art

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Metropolitan Museum of Art

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · The Cleveland Museum of Art

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · The Cleveland Museum of Art

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · The Cleveland Museum of Art

Fra samlingen: Herzog Anton Ulrich-Museum

Museets side
Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771