De kruisiging

1508 · Print

Må man se det?

Ukendt

Rijksmuseum Amsterdam

Amsterdam, Holland

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Kilde: Museet

På kortet Museets side

Om værket

Med museets ord — på nederlandsk

Christus aan het kruis. Aan zijn linkerzijde staat Johannes de evangelist met de handen geheven in een biddend gebaar, aan zijn rechterzijde staan en zitten vier treurende vrouwen.

Rijksmuseum Amsterdam

Oplysninger

Inventarnummer: RP-P-OB-1182

Hvad det viser

Crucified Christ with Mary, John, and Mary Magdalene

I kataloget

Grafik Renæssancen 1500-tallet

Kilder

Rijksmuseum Amsterdam
Billede: Rijksmuseum Amsterdam — public domain

Imens i livet hos Albrecht Dürer

Hele livet

1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1505–1507 · Virkested
Venice
1507
Leaving Venice: “Here I am a gentleman”
Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”
1507–1528 · Virkested
Nuremberg
1509
Elected to Nuremberg's Greater Council
Dürer was elected a nominated member of Nuremberg's Greater Council; in that role he may have taken part in the city's artistic projects.