Dancer at Rest, Hands on Her Hips, Left Leg Forward, Edgar Degas, late 1870s/1880s
Edgar Degas, portrætEdgar DegasFrankrig, 1834–1917

Dancer at Rest, Hands on Her Hips, Left Leg Forward

late 1870s/1880s · Sculpture

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Ja, udstillet nu

Hvor er »Dancer at Rest, Hands on Her Hips, Left Leg Forward« i dag? National Gallery of Art, Sal 3 · Vestbygningen, stueetagen, Washington, D.C. Ja, udstillet nu. Kontrolleret 12. oktober 2026.

National Gallery of Art

Washington, D.C., USA

Sal3 · Vestbygningen, stueetagen

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1999.80.24

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Imens i livet hos Edgar Degas

Hele livet
  1. 1870

    A volunteer in the war; a flaw in his eyesight

    When the Franco-Prussian War broke out Degas volunteered; at the first shooting practice it turned out that he saw poorly with his right eye. It was the first sign of the macular degeneration that left him almost blind at the end of his life; he was transferred to the artillery and served there to the end of the war.

  2. oktober 1872 – marts 1873 · Bopæl

    New Orleans

  3. 1873–1874

    His brother's debts: he sells his house and collection

    After his father's death Degas learned that his brother René had run up enormous business debts. To save the family's reputation he sold his house and an inherited art collection and for the first time in his life depended on sales of his own work.

  4. 1874

    The first Impressionist exhibition

    Disenchanted with the Salon, Degas joined a group of young artists organizing an independent exhibiting society. He took a leading role in organizing the eight shows of 1874–1886 and exhibited in all but one, despite constant conflicts with the group.

  5. 1881

    “The Little Dancer of Fourteen Years” on show

    The nearly life-size wax figure with real hair and a cloth tutu, modelled on Marie van Goethem, provoked a strong reaction: critics found its realism extraordinary, but many denounced the dancer as ugly. It was the only sculpture Degas showed in his lifetime.

  6. by 1882

    His eyesight sharply worsens

    By 1882 Degas's eyesight began to worsen sharply: he turned to pastel and then to sculpture, where he could rely more on touch.

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I samme sal · G-003, National Gallery of Art

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Om samme emne · Kvinde

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