Kitagawa UtamaroJapan, 1754–1806Bewonderen van bloemstukken
Kan det ses?
Ukendt
Hvor er »Bewonderen van bloemstukken« i dag? Samling: Rijksmuseum Amsterdam, Amsterdam. Ukendt.
Amsterdam, Holland
Ejeren er kendt; om værket er udstillet i dag, vides ikke.
- Kilde
- Museet
Om værket
Med museets ord — på nederlandsk
Courtisane Hanaogi, met waaier patroon op kimono, kijkend naar twee bloemstukken, terwijl haar kamuro achter haar zit. Op de voorgrond een derde vrouw, op handen en voeten; Daizaburo.
Rijksmuseum Amsterdam
Oplysninger
- Inventarnummer
- RP-P-2008-170
Hvad det viser
I kataloget
Kilder
- Rijksmuseum Amsterdam
- Billede: Rijksmuseum Amsterdam — public domain
Imens i livet hos Kitagawa Utamaro
Hele livet1790–1801
Tightening censorship: seals on prints
From 1790 prints can be sold only with a censor's seal of approval; over the following decades censorship grows stricter, and violators can receive harsh punishments. From 1799 even preliminary drafts need approval, and in 1801 the works of a group of Utagawa-school offenders, including Toyokuni, are repressed.
1793
Recognition and the end of the arrangement with Tsutaya
In 1793 Utamaro achieves recognition as an artist, and his semi-exclusive arrangement with the publisher Tsutaya Jūzaburō ends. He then goes on to produce several well-known series featuring women of the Yoshiwara district, and becomes one of the few ukiyo-e artists to win fame throughout Japan in his lifetime.
1797
The death of his friend and patron Tsutaya Jūzaburō
In 1797 Utamaro's long-time friend and supporter, the publisher Tsutaya Jūzaburō, dies; the artist is apparently very upset by the loss, and some commentators feel that his work never reached its former heights afterwards. He later lives in Kyūemon-chō, then Bakuro-chō, and finally near the Benkei Bridge.
