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  1. Samling/
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  3. Architectural Study: Palazzo Dandolo
Architectural Study: Palazzo Dandolo, John Ruskin, 1849
John Ruskin, portrætJohn RuskinEngland, 1819–1900

Architectural Study: Palazzo Dandolo

1849 · Drawing

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Harvard Art Museums

Cambridge, USA

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for 3 dage siden
Uændret siden
27. sep. 2026
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Museet
På kortetMuseets side

Oplysninger

1849 · 30 år gammel
18191900
Inventarnummer
1926.33.123

I kataloget

Tegninger & akvarellerTuschRomantikkenRealisme1800-talletStorbritannien

Kilder

  • Harvard Art Museums
  • Billede: Harvard Art Museums — © President and Fellows of Harvard College

Imens i livet hos John Ruskin

Hele livet
  1. 1834–1900 · Virkested

    Great Britain

  2. October 1847

    Engagement to Effie Gray

    During 1847 Ruskin grows closer to Euphemia “Effie” Gray, the daughter of family friends, for whom he had once written “The King of the Golden River”; they become engaged in October.

  3. 10. april 1848

    Married: Effie Gray

  4. November 1849

    In Venice with Effie: the sketches behind “The Stones of Venice”

    In November 1849 the couple stay at the Hotel Danieli: Effie looks for company, while Ruskin works alone and hurries to draw the Ca' d'Oro and the Doge's Palace, fearing that the occupying Austrian troops will destroy them. These sketches and notes will grow into “The Stones of Venice”.

  5. May 1851

    Letters to The Times defending the Pre-Raphaelites

    Millais and his fellow artists approach Ruskin through their mutual friend Coventry Patmore; Millais's “Christ in the House of His Parents” (1849–50), which some considered blasphemous, at first fails to impress him, but in May 1851 he writes letters to The Times defending the Pre-Raphaelite Brotherhood.

  6. 1851–1853

    The three-volume “Stones of Venice”

    Growing from a technical history of Venetian architecture, from the Byzantine to the Renaissance, into a broad cultural history, the work is a warning to contemporary England about the moral and spiritual health of society: Ruskin explains the decline of Venice by the loss of true Christian faith. The chapter “The Nature of Gothic” from the second volume — a critique of the division of labour and industrial capitalism — will be published by William Morris as a separate book.

Mere af John Ruskin

Alle værker
Architectural details from the Sagredo Palace, Venice, John Ruskin, 19th century

Architectural details from the Sagredo Palace, Venice

19th century · Victoria and Albert Museum

View of Amalfi, John Ruskin, 1844

View of Amalfi

1844 · Harvard Art Museums

Fragment of the Alps, John Ruskin, c. 1854-1856

Fragment of the Alps

c. 1854-1856 · Harvard Art Museums

Tree Study, John Ruskin, mid-1850s

Tree Study

mid-1850s · Ikke udstillet · National Gallery of Art

Gezicht op S. Anastasia te Verona, over de Adige, John Ruskin, 1829 - 1900

Gezicht op S. Anastasia te Verona, over de Adige

1829 - 1900 · Rijksmuseum Amsterdam

Bergkam aan het Meer van Genève, John Ruskin, 1829 - 1900

Bergkam aan het Meer van Genève

1829 - 1900 · Rijksmuseum Amsterdam

The Garden of San Miniato near Florence, John Ruskin, 1845

The Garden of San Miniato near Florence

1845 · Ikke udstillet · National Gallery of Art

Tower of the Cathedral at Sens, John Ruskin, c. 1845

Tower of the Cathedral at Sens

c. 1845 · Ikke udstillet · National Gallery of Art

Naboer på Harvard Art Museums

Museets side
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Dwarpalika (Temple Guardian), Sneha Shrestha, 2023

Sneha Shrestha

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The Eternal Pond of the Universe, Bingyi 冰逸, 2022-2024

Bingyi 冰逸

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Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE

Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE