Abstract Composition in Black, Brown, and Orange, Mark Rothko, c. 1944/1946
Mark Rothko, portrætMark RothkoUSA, 1903–1970

Abstract Composition in Black, Brown, and Orange

c. 1944/1946 · Drawing

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National Gallery of Art

Washington, D.C., USA

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1986.43.185

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  1. 1942

    The Rothko–Gottlieb manifesto after the Macy’s show

    New paintings were shown at a 1942 exhibition at Macy’s department store; answering a negative review in The New York Times, Rothko and Gottlieb issued a manifesto written mainly by Rothko, declaring themselves for the simple expression of the complex thought, for the large shape and for flat forms that destroy illusion and reveal truth.

  2. 1943

    Berkeley: friendship with Clyfford Still

    Hoping a change of scenery would help, Rothko returned to Portland and then travelled to Berkeley, where he met Clyfford Still and the two became close friends; Still’s deeply abstract paintings are thought to have influenced Rothko’s later work.

  3. 13 June 1943

    Separation from Edith Sachar and depression

    On 13 June 1943 Rothko and Edith Sachar separated again, and the divorce (1944) left him depressed for a long time.

  4. 1944–1945

    Mell Beistle: meeting and marriage

    Rothko met the book illustrator Mary Alice “Mell” Beistle in 1944 and married her in early 1945.

  5. 1946

    The first Rothko in a museum collection

    The Whitney Museum, which included Rothko’s surrealist works in its annual exhibition from 1943 to 1950, acquired Baptismal Scene (1945) in 1946: the first of his works to enter a museum collection, a key milestone in his career.

  6. 1948

    Rothko’s mother dies

    Rothko’s mother, Kate, died in October 1948; the discovery of his definitive form came at a period of great distress.

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