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Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

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  1. Samling/
  2. Victoria and Albert Museum/
  3. A Sandbank at Hampstead Heath
A Sandbank at Hampstead Heath, John Constable, 2 November 1821

A Sandbank at Hampstead Heath

2 November 1821 · Oil sketch · 24.8 × 29.8 cm

Oplysninger

2 November 1821 · 45 år gammel
17761837
Inventarnummer
164-1888

Imens i livet hos John Constable

Hele livet
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  3. 1821

    Son born: Charles Golding Constable

  4. 23 October 1821

    To Fisher: “I have done a good deal of skying”

    Constable wrote to Fisher that he had done a good deal of skying and was determined to conquer all the difficulties that remained. He made cloud studies, noting the weather, direction of light and time of day on the back, and held the sky to be the key note of a landscape, drawing on the meteorologist Luke Howard’s classification of clouds.

  5. 1822/1823

    Daughter born: Isabel Constable

Mere af John Constable

Alle værker

Naboer på Victoria and Albert Museum

Museets side

Om samme emne · Hampstead Heath

Alle værker om emnet
John Constable, portrætJohn ConstableStorbritannien, 1776–1837

Må man se det?

Tager ikke imod for tiden

Victoria and Albert Museum

London, Storbritannien

Det hører til samlingen, men er ikke udstillet for tiden.

Kontrolleret
for 13 dage siden
Uændret siden
25. sep. 2026
Kilde
Museet
På kortetMuseets side

Hvad det viser

Hampstead Heath

I kataloget

Tegninger & akvarellerOlieKlassicismeRomantikken1800-talletBritish SchoolEngland

Kilder

  • Victoria and Albert Museum
  • Billede: Victoria and Albert Museum — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Metropolitan Museum of Art

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Hampstead Heath, Muirhead Bone, 1906

Muirhead Bone

Hampstead Heath, 1906

Rijksmuseum Amsterdam

Gezicht op Londen, gezien vanaf Hamptead Heath, Daniel Lerpinière, 1780-06-10

Daniel Lerpinière

Gezicht op Londen, gezien vanaf Hamptead Heath, 1780-06-10

Rijksmuseum Amsterdam

Gezicht op de Hampstead Heath, Karl Greger, c. 1889 - in or before 1894

Karl Greger

Gezicht op de Hampstead Heath, c. 1889 - in or before 1894

Rijksmuseum Amsterdam

Hampstead Heath, Chalon, ca. 1800-54

Chalon

Hampstead Heath, ca. 1800-54

Ikke udstillet · Victoria and Albert Museum

Hampstead Heath with cows, William Mulready, 1806

William Mulready

Hampstead Heath with cows, 1806

Ikke udstillet · Victoria and Albert Museum

Leg of Mutton Pond, Hampstead Heath, Tavener, ca. 1721-1772

Tavener

Leg of Mutton Pond, Hampstead Heath, ca. 1721-1772

Ikke udstillet · Victoria and Albert Museum

Hampstead Heath, John Joseph Cotman, ca. 1840-1878

John Joseph Cotman

Hampstead Heath, ca. 1840-1878

Ikke udstillet · Victoria and Albert Museum

Hampstead Heath, William Mulready, 1806

William Mulready

Hampstead Heath, 1806

Ikke udstillet · Victoria and Albert Museum