A Marble Horse on the Quirinal Hill [recto]

c. 1513 · Drawing

Kan det ses?

Ikke udstillet lige nu

Hvor er »A Marble Horse on the Quirinal Hill [recto]« i dag? Samling: National Gallery of Art, Washington, D.C. Ikke udstillet lige nu. Kontrolleret 29. september 2026.

National Gallery of Art

Washington, D.C., USA

Det hører til samlingen, men er ikke udstillet for tiden.

Kontrolleret: for 12 dage siden
Uændret siden: 19. aug. 2026
Kilde: Museet

På kortet Museets side

Oplysninger

Inventarnummer: 1993.51.3.a

Hvad det viser

Detail and ornament Hest Statue Quirinal Horse

I kataloget

Tegninger & akvareller Kridt Renæssancen 1500-tallet Marchigian

Kilder

National Gallery of Art
Billede: National Gallery of Art — Museum open access

Imens i livet hos Raphael

Hele livet

1508–1520 · Virkested
Rome
1511
Under the spell of Michelangelo's ceiling
According to Vasari, Bramante let Raphael into the Sistine Chapel secretly, and while painting the Stanza he was clearly influenced by Michelangelo's ceiling, as in his portrait of Michelangelo himself as Heraclitus in “The School of Athens”. Michelangelo accused him of plagiarism and years later complained that “everything he knew about art he got from me”.
1513
Leo X becomes pope
The death of Julius II did not interrupt the work: his successor, the Medici Pope Leo X, became Raphael's last and even closer patron, and Raphael's friend Cardinal Bibbiena was a close friend and adviser of the new pope.
1514
Chief architect of St Peter's
After Bramante's death Raphael became chief architect of the new St Peter's and continued Bramante's construction of the Vatican Loggias, whose vaults his pupils painted.
1514
Engaged to Maria Bibbiena
Raphael became engaged to Cardinal Bibbiena's niece Maria, apparently talked into it by his friend the cardinal and without much enthusiasm: the marriage had still not taken place when she died in 1520. A permanent fixture in his Roman life was “La Fornarina”, Margherita Luti, a baker's daughter.
1515
Prefect of the antiquities of Rome
Raphael was given powers as Prefect over all antiquities unearthed in Rome or within a mile of it: finds had to be reported to him within three days, and inscriptions could not be destroyed without permission. He wrote to the pope proposing ways to halt the destruction of ancient monuments and a survey to record them all.