A Bridge and Campanile, Venice

1902/1904 · Drawing

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Hvor er »A Bridge and Campanile, Venice« i dag? Samling: National Gallery of Art, Washington, D.C. Ikke udstillet lige nu. Kontrolleret 29. september 2026.

National Gallery of Art

Washington, D.C., USA

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Kontrolleret: for 12 dage siden
Uændret siden: 19. aug. 2026
Kilde: Museet

På kortet Museets side

Oplysninger

Inventarnummer: 1970.17.169

Hvad det viser

Eksteriør Waterway Venice

I kataloget

Tegninger & akvareller Akvarel Impressionisme Modernisme 1900-tallet American

Kilder

National Gallery of Art
Billede: National Gallery of Art — Museum open access

Imens i livet hos John Singer Sargent

Hele livet

1895–1919
The “Triumph of Religion” murals for the Boston Public Library
From 1895 through 1919, for almost thirty years, Sargent works on his largest-scale work, the mural decorations “Triumph of Religion” for the Boston Public Library, showing religion's progress from pagan superstition to the ascension of Christianity; he never completes the final mural of the cycle.
1900
At the height of his fame: “An Interior in Venice”
By 1900 Sargent is at the height of his fame; although only in his forties, he begins to travel more and devote relatively less time to portrait painting. His “An Interior in Venice” (1900), a portrait of four members of the Curtis family in their palatial home, Palazzo Barbaro, is a resounding success, although Whistler disapproves of the looseness of his brushwork, summing it up as “smudge everywhere”.
1905
His first major solo show of watercolours
In 1905 the Carfax Gallery in London holds Sargent's first major solo exhibition of watercolour works; in watercolours he is able to indulge his earliest artistic inclinations for nature, architecture, exotic peoples and noble mountain landscapes.
1905–1914
Summer journeys with the de Glehns
Between 1905 and 1914 Sargent's frequent travelling companions are the married artist couple Wilfrid de Glehn and Jane Emmet de Glehn; the trio often spend summers in France, Spain or Italy, and all three depict one another in their paintings.
1906–1913
Summers in the Swiss Alps with his sisters and nieces
Sargent makes several summer visits to the Swiss Alps with his sisters Emily and Violet and Violet's daughters Rose-Marie and Reine, who are the subject of a number of paintings between 1906 and 1913, such as “The Black Brook” (1908).