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  1. Samling/
  2. Art Institute of Chicago/
  3. A Boy Blowing on a Firebrand
A Boy Blowing on a Firebrand, Gerrit van Honthorst, 1621–22

A Boy Blowing on a Firebrand

1621–22 · Painting

Om maleriet

Depictions like this one of a boy blowing on a burning ember were popular among European painters studying illumination. Artists like Michelangelo and El Greco used this subject to showcase their skills at imitating nature, particularly the fleeting reflections of firelight. After spending several successful years working in Rome, Gerrit van Honthorst brought this theme back with him to the Netherlands, where it was appreciated by sophisticated collectors who recognized its origins in an ancient Roman text.

Art Institute of Chicago · CC BY 4.0

Oplysninger

1621–22 · 29 år gammel
15921656
Inventarnummer
2018.135

Imens i livet hos Gerard van Honthorst

Hele livet
  1. c. 1610 – 1620

    At the palace of Marquis Giustiniani in Rome

    In Rome Honthorst lodged at the palace of Marquis Vincenzo Giustiniani, where he painted “Christ Before the High Priest” (now in the National Gallery, London), and under Caravaggio's influence took up night scenes lit by a hidden artificial source. Italian documents of his day call him “Gherardo Fiammingo” or “Gherardo Hollandese”: the nickname “Gherardo delle Notti” came into use only in the 18th century.

  2. c. 1610 – 1620

    Commissions from Cardinal Scipione Borghese

    Cardinal Scipione Borghese became another important patron, securing him commissions at San Silvestro in Monte Compatri and Santa Maria della Vittoria in Rome. The artist also worked for Cosimo II de' Medici, Grand Duke of Tuscany.

  3. 1620

    Returns to Utrecht

    Back in Utrecht, Honthorst built a considerable reputation at home and abroad: Sir Dudley Carleton, the English envoy at The Hague, recommended his work to the Earl of Arundel, and his work impressed the young Rembrandt and Frans Hals.

  4. 1622

    The Guild of St. Luke and a drawing academy

    Honthorst was admitted to the Guild of St. Luke and the same year opened a drawing academy in Utrecht, in fact a small studio for visiting pupils. According to Joachim von Sandrart, his pupil in the mid-1620s, the master taught about 24 students at a time, each paying 100 guilders a year.

  5. 1623

    Marries and heads the Guild of St. Luke

Mere af Gerard van Honthorst

Alle værker

I samme sal · Gallery 213, Art Institute of Chicago

Museets side

Om samme emne · Light

Alle værker om emnet

In the year of his marriage Honthorst was president of the Guild of St. Luke in Utrecht.

Gerard van Honthorst, portrætGerard van HonthorstHolland, 1592–1656

Må man se det?

Ja, det tager imod

Art Institute of Chicago

Chicago, USA

Sal213

Udstillet for publikum. Hvem der står inde for det, står nedenfor.

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19. aug. 2026
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På kortetMuseets side

Hvad det viser

LightCandlesBarnFeathersCostumeFireFirebrand

I kataloget

MalerierOlieNederlandsk maleriBarok1600-talletEuropean17. århundredeHolland

Kilder

  • Art Institute of Chicago
  • Billede: Art Institute of Chicago — CC0
The Denial of St. Peter, Gerrit van Honthorst, c. 1623

The Denial of St. Peter

c. 1623 · Minneapolis Institute of Art

Portrait de Frédéric-Henri, prince d'Orange, Stadhouder (1584-1647), Honthorst, Gerrit van, 1e moitié du XVIIe siècle (1600 - 1650)

Portrait de Frédéric-Henri, prince d'Orange, Stadhouder (1584-1647)

1e moitié du XVIIe siècle (1600 - 1650) · Louvre

Christ Crowned with Thorns, Gerrit van Honthorst, about 1620

Christ Crowned with Thorns

about 1620 · J. Paul Getty Museum

Musical Group on a Balcony, Gerrit van Honthorst, 1622

Musical Group on a Balcony

1622 · J. Paul Getty Museum

The Concert, Gerrit van Honthorst, 1623

The Concert

1623 · National Gallery of Art

Sater en nimf, Gerard van Honthorst, 1623

Sater en nimf

1623 · Rijksmuseum Amsterdam

Le Concert, Honthorst, Gerrit van, 1e quart du XVIIe siècle (1624)

Le Concert

1e quart du XVIIe siècle (1624) · Louvre

Portrait de Maurice de Bavière (1621-1652), prince palatin, Honthorst, Gerrit van, 2e quart du XVIIe siècle (1640)

Portrait de Maurice de Bavière (1621-1652), prince palatin

2e quart du XVIIe siècle (1640) · Louvre

Old Man with a Gold Chain, Rembrandt van Rijn, 1631

Rembrandt van Rijn

Old Man with a Gold Chain, 1631

The Denial of Saint Peter, Hendrick Terbrugghen, c. 1626

Hendrick ter Brugghen

The Denial of Saint Peter, c. 1626

Portrait of a Lady, Frans Hals, 1627

Frans Hals

Portrait of a Lady, 1627

The Watermill with the Great Red Roof, Meindert Hobbema, c. 1665

Meindert Hobbema

The Watermill with the Great Red Roof, c. 1665

Landscape with the Ruins of the Castle of Egmond, Jacob van Ruisdael, 1650–55

Jacob Isaacksz. van Ruisdael

Landscape with the Ruins of the Castle of Egmond, 1650–55

Two Cows and a Young Bull beside a Fence in a Meadow, Paulus Potter, 1647

Paulus Potter

Two Cows and a Young Bull beside a Fence in a Meadow, 1647

The Battle between the Gods and the Giants, Joachim Antonisz. Wtewael, c. 1608

Joachim Wtewael

The Battle between the Gods and the Giants, c. 1608

Interior of the Oude Kerk, Delft, Emanuel de Witte, c. 1680

Emanuel de Witte

Interior of the Oude Kerk, Delft, c. 1680

Thinking Sphere, Olafur Eliasson, 2011

Olafur Eliasson

Thinking Sphere, 2011

National Gallery of Art

Bewegende lichtplaten, anonymous, c. 1894 - in or before 1899

anonymous

Bewegende lichtplaten, c. 1894 - in or before 1899

Rijksmuseum Amsterdam

Weergave van het proces van het maken van een elektrografie, anonymous, c. 1893 - in or before 1898

anonymous

Weergave van het proces van het maken van een elektrografie, c. 1893 - in or before 1898

Rijksmuseum Amsterdam

Weergave van het proces van het maken van een elektrografie, anonymous, c. 1893 - in or before 1898

anonymous

Weergave van het proces van het maken van een elektrografie, c. 1893 - in or before 1898

Rijksmuseum Amsterdam

Ex libris van C.G.G.J. van Steenis, anonymous, 1910 - 1986

anonymous

Ex libris van C.G.G.J. van Steenis, 1910 - 1986

Rijksmuseum Amsterdam

Weergave van het proces van het maken van een elektrografie, anonymous, c. 1893 - in or before 1898

anonymous

Weergave van het proces van het maken van een elektrografie, c. 1893 - in or before 1898

Rijksmuseum Amsterdam

Weergave van bundels licht tijdens het proces van het maken van een elektrografie, anonymous, c. 1893 - in or before 1898

anonymous

Weergave van bundels licht tijdens het proces van het maken van een elektrografie, c. 1893 - in or before 1898

Rijksmuseum Amsterdam

Weergave van het proces van het maken van een elektrografie, anonymous, c. 1893 - in or before 1898

anonymous

Weergave van het proces van het maken van een elektrografie, c. 1893 - in or before 1898

Rijksmuseum Amsterdam