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ART WIKI

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Sbírky: Clevelandské muzeum umění, Cooper Hewitt, Smithsonian Design Museum, Ermitáž, Galerie umění Yaleovy univerzity, Gettyho vila, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Institut umění v Chicagu, Louvre, Metropolitní muzeum umění, Minneapoliský institut umění, Muzeum amerického umění Whitneyové, Muzeum J. Paula Gettyho, Muzeum moderního umění, Národní galerie ve Washingtonu, Národní portrétní galerie, National Museum of Asian Art, Puškinovo muzeum, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Státní muzeum umění, Státní ruské muzeum, Treťjakovská galerie, Victoria and Albert Museum, Yale Center for British Art, Státní katalog Muzejního fondu Ruska (274 muzeí), Europeana (19 muzeí), Wikidata (44 muzeí), Paris Musées (12 muzeí), Joconde, databáze muzeí francouzského ministerstva kultury (495 muzeí) a Catalogo generale dei Beni Culturali italského ministerstva kultury (25 muzeí). Práva k obrázkům náleží jejich držitelům.

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Populacho (Rabble), Plate 28 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaPopulacho (Rabble), Plate 28 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Lo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaLo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Galerie umění Yaleovy univerzity

Maja [with a dark background], Francisco Goya, late 18th–early 19th century, published 1971

Francisco de GoyaMaja [with a dark background]late 18th–early 19th century, published 1971Galerie umění Yaleovy univerzity

Esto es malo. (This Is Bad.), pl. 46 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEsto es malo. (This Is Bad.), pl. 46 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Por una navaja. (On Account of a Knife.), pl. 34 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaPor una navaja. (On Account of a Knife.), pl. 34 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Banderillas de Fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia, Francisco Goya, 1815

Francisco de GoyaBanderillas de Fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia1815Galerie umění Yaleovy univerzity

La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia1816Galerie umění Yaleovy univerzity

Duro es el paso! (It's a Hard Step!), pl. 14 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaDuro es el paso! (It's a Hard Step!), pl. 14 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Galerie umění Yaleovy univerzity

Las camas de la muerte (The Beds of Death), Plate 62 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaLas camas de la muerte (The Beds of Death), Plate 62 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring), Plate 8 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaCogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring), Plate 8 from La tauromaquia1816Galerie umění Yaleovy univerzity

Dos grupos de picadores arrolados de seguida por un solo toro (Two Teams of Picadors Thrown One After the Other by a Single Bull), Plate 32 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaDos grupos de picadores arrolados de seguida por un solo toro (Two Teams of Picadors Thrown One After the Other by a Single Bull), Plate 32 from La tauromaquia1816Galerie umění Yaleovy univerzity

Chiton (Hush), pl. 28 from the series Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaChiton (Hush), pl. 28 from the series Los caprichos1797–98Galerie umění Yaleovy univerzity

Portrait of Herbert Esche's Daughter, Edvard Munch, 1905-1908

Edvard MunchPortrait of Herbert Esche's Daughter1905-1908Národní galerie ve Washingtonu

Origen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaOrigen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia1876Galerie umění Yaleovy univerzity

Disparate ridiculo (Ridiculous Folly), plate 3 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate ridiculo (Ridiculous Folly), plate 3 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Galerie umění Yaleovy univerzity

Dios la perdone: y era su madre (For Heaven's Sake: and It Was Her Mother), pl. 16 from Los caprichos, Francisco Goya, 1799

Francisco de GoyaDios la perdone: y era su madre (For Heaven's Sake: and It Was Her Mother), pl. 16 from Los caprichos1799Galerie umění Yaleovy univerzity

Las mugeres dan valor (The Women Give Courage), pl. 4 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaLas mugeres dan valor (The Women Give Courage), pl. 4 from the series Los desastres de la guerra (The Disasters of War)1810–20, published 1863Galerie umění Yaleovy univerzity

Bárbaros! (Barbarians!), Plate 38 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaBárbaros! (Barbarians!), Plate 38 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Esto es lo peor! (That Is the Worst of It!), pl. 74 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEsto es lo peor! (That Is the Worst of It!), pl. 74 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Aun podrán servir (They Can Still Be of Use), Plate 24 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaAun podrán servir (They Can Still Be of Use), Plate 24 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Qué hai que hacer mas? (What More Can Be Done?), pl. 33 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQué hai que hacer mas? (What More Can Be Done?), pl. 33 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia1876Galerie umění Yaleovy univerzity

Siempre sucede. (It Always Happens.), pl. 8 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaSiempre sucede. (It Always Happens.), pl. 8 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

El buitre carnívoro (The Carnivorous Vulture), Plate 76 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEl buitre carnívoro (The Carnivorous Vulture), Plate 76 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia, Francisco Goya, 1815

Francisco de GoyaOtra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia1815Galerie umění Yaleovy univerzity

Lo merecia. (He Deserved It.), pl. 29 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLo merecia. (He Deserved It.), pl. 29 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Adam and Eve (Adam og Eva), Edvard Munch, 1915

Edvard MunchAdam and Eve (Adam og Eva)1915Národní galerie ve Washingtonu

Head of a Man (Mannerkopf), Edvard Munch, 1906

Edvard MunchHead of a Man (Mannerkopf)1906Národní galerie ve Washingtonu

The Morning After (Der Tag danach), Edvard Munch, 1895

Edvard MunchThe Morning After (Der Tag danach)1895Národní galerie ve Washingtonu

Double Suicide (Dobbeltselvmord), Edvard Munch, 1901

Edvard MunchDouble Suicide (Dobbeltselvmord)1901Národní galerie ve Washingtonu

Interior with Sculpture, Edvard Munch, 1902

Edvard MunchInterior with Sculpture1902Národní galerie ve Washingtonu

The Maiden and the Heart (Das Madchen und das Herz), Edvard Munch, 1896

Edvard MunchThe Maiden and the Heart (Das Madchen und das Herz)1896Národní galerie ve Washingtonu

Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with their Burnous), Plate 6 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaLos Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with their Burnous), Plate 6 from La tauromaquia1876Galerie umění Yaleovy univerzity

No hay quien los socorra (There is No One to Help Them), Plate 60 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo hay quien los socorra (There is No One to Help Them), Plate 60 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Gatesca pantomima (Feline Pantomime), Plate 73 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaGatesca pantomima (Feline Pantomime), Plate 73 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Y son fieras (And They Are Like Wild Beasts), pl. 5 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaY son fieras (And They Are Like Wild Beasts), pl. 5 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Galerie umění Yaleovy univerzity

El caballo raptor (The Horse-Abductor), also known as La mujer y el potro, que los dome otro (A Woman and a Horse, Let Someone Else Master Them), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaEl caballo raptor (The Horse-Abductor), also known as La mujer y el potro, que los dome otro (A Woman and a Horse, Let Someone Else Master Them), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Galerie umění Yaleovy univerzity

The Seducer II (Forføreren II), Edvard Munch, 1913

Edvard MunchThe Seducer II (Forføreren II)1913Národní galerie ve Washingtonu

La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia1876Galerie umění Yaleovy univerzity

Buen viage (Bon Voyage), pl. 64 from the series Los caprichos, Francisco Goya, 1797–1798

Francisco de GoyaBuen viage (Bon Voyage), pl. 64 from the series Los caprichos1797–1798Galerie umění Yaleovy univerzity

Disparate furioso (Furious Folly), also known as Hizonos dios y maravillamos nos (It Is Amazing and We Were Made by God, from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate furioso (Furious Folly), also known as Hizonos dios y maravillamos nos (It Is Amazing and We Were Made by God, from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Galerie umění Yaleovy univerzity

Qué alboroto es este? (What Is This Hubbub?), Plate 65 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaQué alboroto es este? (What Is This Hubbub?), Plate 65 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Valor varonil de la célebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in [the Ring] at Saragossa), Plate 22 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaValor varonil de la célebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in [the Ring] at Saragossa), Plate 22 from La tauromaquia1816Galerie umění Yaleovy univerzity

Linda maestra! (Pretty teacher!), pl. 68 from the series Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaLinda maestra! (Pretty teacher!), pl. 68 from the series Los caprichos1797–98Galerie umění Yaleovy univerzity

Yo lo vi. (I Saw It.), pl. 44 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaYo lo vi. (I Saw It.), pl. 44 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

El embozado (The Cloaked Man), Francisco Goya, mid 19th century

Francisco de GoyaEl embozado (The Cloaked Man)mid 19th centuryGalerie umění Yaleovy univerzity

Si son de otro linage (Perhaps They Are of Another Breed), Plate 61 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaSi son de otro linage (Perhaps They Are of Another Breed), Plate 61 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Los Moros establecidos en España, presciendiendo de las supersticiones de su Alcorán, adopataron esta caza y arte, y lancean un toro en el campo (The Moors settled in Spain, Giving up the Superstitions of the Qur'an, Adopted this Hunt and Art, and Speared a Bull in the Open), Plate 3 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaLos Moros establecidos en España, presciendiendo de las supersticiones de su Alcorán, adopataron esta caza y arte, y lancean un toro en el campo (The Moors settled in Spain, Giving up the Superstitions of the Qur'an, Adopted this Hunt and Art, and Speared a Bull in the Open), Plate 3 from La tauromaquia1876Galerie umění Yaleovy univerzity

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