ART WIKI 37 713 vystaveno

Mapa Sbírka Umělci Muzea Výstavy Magazín

ART WIKI

Kde vidět umění a kdy přijít.

Sbírky: Clevelandské muzeum umění, Cooper Hewitt, Smithsonian Design Museum, Ermitáž, Galerie umění Yaleovy univerzity, Gettyho vila, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Institut umění v Chicagu, Louvre, Metropolitní muzeum umění, Minneapoliský institut umění, Muzeum amerického umění Whitneyové, Muzeum J. Paula Gettyho, Muzeum moderního umění, Národní galerie ve Washingtonu, Národní portrétní galerie, National Museum of Asian Art, Puškinovo muzeum, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Státní muzeum umění, Státní ruské muzeum, Treťjakovská galerie, Victoria and Albert Museum, Yale Center for British Art, Státní katalog Muzejního fondu Ruska (274 muzeí), Europeana (19 muzeí), Wikidata (44 muzeí), Paris Musées (12 muzeí), Joconde, databáze muzeí francouzského ministerstva kultury (495 muzeí) a Catalogo generale dei Beni Culturali italského ministerstva kultury (25 muzeí). Práva k obrázkům náleží jejich držitelům.

Rubriky

Mapa
Hledat
Sbírka
Nejznámější díla
Odcizená a ztracená
Vložit stav díla na web
Právě vystaveno
Umělci

Další

Muzea a galerie
Výstavy
Magazín
Odkud máme údaje
Soukromí a cookies
O projektu
Podmínky používání

Úvodní stránka Mapa Procházet

Procházet

Lept

114 143 děl z 146 muzeí133 právě vystaveno Zrušit vše

/

Technika

Vše
Lept114 143
Litografie84 657
Rytina55 555
Dřevořez49 710
Suchá jehla9 100
Sítotisk8 458
Akvatinta7 310
Fotomechanický tisk6 899
Mezzotinta6 372
Linoryt2 652

Tambien estos (These Too), Plate 25 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaTambien estos (These Too), Plate 25 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Contra el bien general. (Against the Common Good.), pl. 71 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaContra el bien general. (Against the Common Good.), pl. 71 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

El animoso Moro Gazul es el primero que lanceó toros en regla. (The Spirited Moor Gazul is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl animoso Moro Gazul es el primero que lanceó toros en regla. (The Spirited Moor Gazul is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia1876Galerie umění Yaleovy univerzity

Yo lo vi (I Saw It), Plate 44 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaYo lo vi (I Saw It), Plate 44 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Se aprovechan. (They Make Use of Them.), pl. 16 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaSe aprovechan. (They Make Use of Them.), pl. 16 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Ya no hay tiempo (There Isn't Time Now), pl. 19 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)r), Francisco Goya, 1810–20, published 1863

Francisco de GoyaYa no hay tiempo (There Isn't Time Now), pl. 19 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)r)1810–20, published 1863Galerie umění Yaleovy univerzity

Fuerte cosa es! (That’s Tough!), pl. 31 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaFuerte cosa es! (That’s Tough!), pl. 31 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Les chiens laches sur le taureau (The Dogs Let Loose on the Bull), Plate C from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaLes chiens laches sur le taureau (The Dogs Let Loose on the Bull), Plate C from La tauromaquia (third edition)1876Galerie umění Yaleovy univerzity

Si Marina bayló [sic], tome lo que halló (If Marion Will Dance, then She Has To Take the Consequences), plate 12 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaSi Marina bayló [sic], tome lo que halló (If Marion Will Dance, then She Has To Take the Consequences), plate 12 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Galerie umění Yaleovy univerzity

Disparate general (General Folly), plate 9 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate general (General Folly), plate 9 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Galerie umění Yaleovy univerzity

Bien te se está. (It Serves You Right.), pl. 6 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaBien te se está. (It Serves You Right.), pl. 6 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Curarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaCurarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

No se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Al cementerio (To the Cemetery), from The Disasters of War, Francisco Goya, 1797–98, printed 1892

Francisco de GoyaAl cementerio (To the Cemetery), from The Disasters of War1797–98, printed 1892Galerie umění Yaleovy univerzity

El amor y la muerte (Love and Death), pl. 10 from the series Los caprichos, Francisco Goya, 1797–98, published 1799

Francisco de GoyaEl amor y la muerte (Love and Death), pl. 10 from the series Los caprichos1797–98, published 1799Galerie umění Yaleovy univerzity

Duro es el paso! (It's a Hard Step!), pl. 14 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaDuro es el paso! (It's a Hard Step!), pl. 14 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Galerie umění Yaleovy univerzity

Modo de volar (A Way of Flying), plate 13 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaModo de volar (A Way of Flying), plate 13 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Galerie umění Yaleovy univerzity

Será lo mismo (It Will Be the Same), Plate 21 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaSerá lo mismo (It Will Be the Same), Plate 21 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Modo de volar (A Way of Flying), from the series Los disparates (Follies [Irrationalities]), Francisco Goya, ca. 1815–16, printed 1864

Francisco de GoyaModo de volar (A Way of Flying), from the series Los disparates (Follies [Irrationalities])ca. 1815–16, printed 1864Galerie umění Yaleovy univerzity

Lo peor es pedir. (The Worst Is To Beg.), pl. 55 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLo peor es pedir. (The Worst Is To Beg.), pl. 55 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Que valor! (What Courage!), pl. 7 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaQue valor! (What Courage!), pl. 7 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Galerie umění Yaleovy univerzity

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia1876Galerie umění Yaleovy univerzity

Estan calientes (They Are Hot), pl. 13 from the series Los caprichos, Francisco Goya, 1797–1798, published 1799

Francisco de GoyaEstan calientes (They Are Hot), pl. 13 from the series Los caprichos1797–1798, published 1799Galerie umění Yaleovy univerzity

Los ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaLos ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Galerie umění Yaleovy univerzity

Las camas de la muerte. (The Beds of Death.), pl. 62 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLas camas de la muerte. (The Beds of Death.), pl. 62 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Disparate ridiculo (Ridiculous Folly), also known as Andarse por las ramas (To Go Amongst the Branches), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate ridiculo (Ridiculous Folly), also known as Andarse por las ramas (To Go Amongst the Branches), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Galerie umění Yaleovy univerzity

Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaUn caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia1816Galerie umění Yaleovy univerzity

Otro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaOtro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia1816Galerie umění Yaleovy univerzity

Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaSanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Galerie umění Yaleovy univerzity

El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia1816Galerie umění Yaleovy univerzity

Y aun no se van! (And Still They Don't Go!), pl. 59 from the series Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaY aun no se van! (And Still They Don't Go!), pl. 59 from the series Los caprichos1797–98Galerie umění Yaleovy univerzity

Modo con que los antiguos Españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaModo con que los antiguos Españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia1876Galerie umění Yaleovy univerzity

Clamores en vano (Appeals Are in Vain), Plate 54 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaClamores en vano (Appeals Are in Vain), Plate 54 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

No se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War)., Francisco Goya, 1863

Francisco de GoyaNo se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War).1863Galerie umění Yaleovy univerzity

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaDesjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia1816Galerie umění Yaleovy univerzity

No llegan á tiempo. (They Do not Arrive in Time.), pl. 52 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo llegan á tiempo. (They Do not Arrive in Time.), pl. 52 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Lo peor es pedir (The Worst Is to Beg), Plate 55 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaLo peor es pedir (The Worst Is to Beg), Plate 55 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Contra el bien general (Against the Common Good), Plate 71 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaContra el bien general (Against the Common Good), Plate 71 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Espiró sin remedio. (There Was Nothing To Be Done and He Died.), pl. 53 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEspiró sin remedio. (There Was Nothing To Be Done and He Died.), pl. 53 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Esta no lo es menos. (This Is Not Less So), pl. 67 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEsta no lo es menos. (This Is Not Less So), pl. 67 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

No se convienen (They Do Not Agree), pl. 17 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaNo se convienen (They Do Not Agree), pl. 17 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Galerie umění Yaleovy univerzity

Tanto y mas. (Even Worse.), pl. 22 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTanto y mas. (Even Worse.), pl. 22 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Carretadas al cementerio (Cartloads to the Cemetery), Plate 64 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaCarretadas al cementerio (Cartloads to the Cemetery), Plate 64 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

Disparate furioso (Furious Folly), plate 6 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate furioso (Furious Folly), plate 6 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Galerie umění Yaleovy univerzity

Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of his Assistants), Plate A from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaUn cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of his Assistants), Plate A from La tauromaquia (third edition)1876Galerie umění Yaleovy univerzity

Cruel lástima! (Cruel Tale of Woe!), pl. 48 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCruel lástima! (Cruel Tale of Woe!), pl. 48 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity

Disparate femenino (Feminine Folly), also known as Pesa mas que un burro muerto (Heavier than a Dead Donkey), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate femenino (Feminine Folly), also known as Pesa mas que un burro muerto (Heavier than a Dead Donkey), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Galerie umění Yaleovy univerzity

Farándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaFarándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity

27

Stránkaz 200