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Sbírky: Clevelandské muzeum umění, Cooper Hewitt, Smithsonian Design Museum, Ermitáž, Galerie umění Yaleovy univerzity, Gettyho vila, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Institut umění v Chicagu, Louvre, Metropolitní muzeum umění, Minneapoliský institut umění, Muzeum amerického umění Whitneyové, Muzeum J. Paula Gettyho, Muzeum moderního umění, Národní galerie ve Washingtonu, Národní portrétní galerie, National Museum of Asian Art, Puškinovo muzeum, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Státní muzeum umění, Státní ruské muzeum, Treťjakovská galerie, Victoria and Albert Museum, Yale Center for British Art, Státní katalog Muzejního fondu Ruska (274 muzeí), Europeana (19 muzeí), Wikidata (44 muzeí), Paris Musées (12 muzeí), Joconde, databáze muzeí francouzského ministerstva kultury (495 muzeí) a Catalogo generale dei Beni Culturali italského ministerstva kultury (25 muzeí). Práva k obrázkům náleží jejich držitelům.

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Disparate claro (Clear Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate claro (Clear Folly)in or after 1816Národní galerie ve Washingtonu
La lealtad (Loyalty), Francisco Goya, in or after 1816Francisco de GoyaLa lealtad (Loyalty)in or after 1816Národní galerie ve Washingtonu
El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaEl mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)in or before 1816Národní galerie ve Washingtonu
No se convienen (They Do Not Agree), Francisco Goya, published 1863Francisco de GoyaNo se convienen (They Do Not Agree)published 1863Národní galerie ve Washingtonu
Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaLigereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)in or before 1816Národní galerie ve Washingtonu
El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules), Francisco Goya, in or before 1816Francisco de GoyaEl animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)in or before 1816Národní galerie ve Washingtonu
Quien mas rendido?  (Which of Them Is the More Overcome?), Francisco Goya, published 1799Francisco de GoyaQuien mas rendido? (Which of Them Is the More Overcome?)published 1799Národní galerie ve Washingtonu
Fiero monstruo! (Fierce Monster!), Francisco Goya, 1810/1820Francisco de GoyaFiero monstruo! (Fierce Monster!)1810/1820Národní galerie ve Washingtonu
Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants), Francisco Goya, in or before 1816Francisco de GoyaUn caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants)in or before 1816Národní galerie ve Washingtonu
Les Caprices (Planche 35) : Elle le plume ; Le descañona, Francisco Goya, 1797-1799Francisco de GoyaLes Caprices (Planche 35) : Elle le plume ; Le descañona1797-1799Musée Goya
El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from which Pass He Died in the Ring of Madrid), Plate 28 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaEl esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from which Pass He Died in the Ring of Madrid), Plate 28 from La tauromaquia1816Galerie umění Yaleovy univerzity
Tambien esto. (This Too.), pl. 43 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaTambien esto. (This Too.), pl. 43 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity
Disparate volante (Flying Folly), from the series Los disparates (Follies [Irrationalities]), Francisco Goya, ca. 1815–19, printed 1864Francisco de GoyaDisparate volante (Flying Folly), from the series Los disparates (Follies [Irrationalities])ca. 1815–19, printed 1864Galerie umění Yaleovy univerzity
Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse), Francisco Goya, in or before 1816Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse)in or before 1816Národní galerie ve Washingtonu
Baco (Bacchus), Francisco Goya after Diego Velázquez, 1778Francisco de GoyaBaco (Bacchus)1778Národní galerie ve Washingtonu
The Garroted Man, Francisco Goya, in or before 1780Francisco de GoyaThe Garroted Manin or before 1780Národní galerie ve Washingtonu
Otro modo de cazar a pie (Another Way of Hunting on Foot), Francisco Goya, in or before 1816Francisco de GoyaOtro modo de cazar a pie (Another Way of Hunting on Foot)in or before 1816Národní galerie ve Washingtonu
A caza de dientes (Out Hunting for Teeth), Francisco Goya, published 1799Francisco de GoyaA caza de dientes (Out Hunting for Teeth)published 1799Národní galerie ve Washingtonu
Nadie se conoce (Nobody Knows Himself), Francisco Goya, 1799, printed laterFrancisco de GoyaNadie se conoce (Nobody Knows Himself)1799, printed laterNárodní galerie ve Washingtonu
Disparate femenino (Feminine Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate femenino (Feminine Folly)in or after 1816Národní galerie ve Washingtonu
El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body), Francisco Goya, in or before 1816Francisco de GoyaEl famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body)in or before 1816Národní galerie ve Washingtonu
Los moros hacen otro capeo en plaza con su albornoz (The Moors make a different play in the ring calling the bull with their burnous), Plate 6 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaLos moros hacen otro capeo en plaza con su albornoz (The Moors make a different play in the ring calling the bull with their burnous), Plate 6 from La tauromaquia1816Galerie umění Yaleovy univerzity
Al cementerio. (To the Cemetery.), pl. 56 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaAl cementerio. (To the Cemetery.), pl. 56 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Galerie umění Yaleovy univerzity
Madre infeliz! (Unhappy Mother!), Plate 50 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaMadre infeliz! (Unhappy Mother!), Plate 50 from Los desastres de la guerra (The Disasters of War)1863Galerie umění Yaleovy univerzity
Capean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaCapean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia1816Galerie umění Yaleovy univerzity
Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas), Francisco Goya, in or before 1816Francisco de GoyaOrigen de los arpones o banderillas (Origin of the Harpoons or Banderillas)in or before 1816Národní galerie ve Washingtonu
Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous), Francisco Goya, in or before 1816Francisco de GoyaLos Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)in or before 1816Národní galerie ve Washingtonu
Nadie nos ha visto (No One Has Seen Us), Francisco Goya, published 1799Francisco de GoyaNadie nos ha visto (No One Has Seen Us)published 1799Národní galerie ve Washingtonu
Baltasar Carlos, Francisco Goya after Diego Velázquez, 1778Francisco de GoyaBaltasar Carlos1778Národní galerie ve Washingtonu
Otra locura suya en la misma plaza (Another Madness of His in the Same Ring), Francisco Goya, in or before 1816Francisco de GoyaOtra locura suya en la misma plaza (Another Madness of His in the Same Ring)in or before 1816Národní galerie ve Washingtonu
Yo lo vi (I Saw It), Francisco Goya, published 1863Francisco de GoyaYo lo vi (I Saw It)published 1863Národní galerie ve Washingtonu
El amour y la muerte (Love and Death), Francisco Goya, published 1799Francisco de GoyaEl amour y la muerte (Love and Death)published 1799Národní galerie ve Washingtonu
Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid), Francisco Goya, in or before 1816Francisco de GoyaCarlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid)in or before 1816Národní galerie ve Washingtonu
No quieren [sic] (They Don't Like It), pl. 9 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaNo quieren [sic] (They Don't Like It), pl. 9 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Galerie umění Yaleovy univerzity
Valor varonil de la célebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in [the ring] at Saragossa), Plate 22 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaValor varonil de la célebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in [the ring] at Saragossa), Plate 22 from La tauromaquia1876Galerie umění Yaleovy univerzity
Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaCaida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La tauromaquia1876Galerie umění Yaleovy univerzity
Un caballero español mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost his Horse), Plate 9 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaUn caballero español mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost his Horse), Plate 9 from La tauromaquia1816Galerie umění Yaleovy univerzity
Si es delinquente qe. muera presto (If He is Guilty, Let Him Die Quickly), Francisco Goya, c. 1810Francisco de GoyaSi es delinquente qe. muera presto (If He is Guilty, Let Him Die Quickly)c. 1810Národní galerie ve Washingtonu
Old Man on a Swing, Francisco Goya, c. 1826/1828Francisco de GoyaOld Man on a Swingc. 1826/1828Národní galerie ve Washingtonu
Maja, Francisco Goya, 1824/1828Francisco de GoyaMaja1824/1828Národní galerie ve Washingtonu
Ni asi la distingue  (Even Thus He Cannot Make Her Out), Francisco Goya, in or before 1799Francisco de GoyaNi asi la distingue (Even Thus He Cannot Make Her Out)in or before 1799Národní galerie ve Washingtonu
Disparate de Carnabal (Carnival Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate de Carnabal (Carnival Folly)in or after 1816Národní galerie ve Washingtonu
Los ensacados (The Men in Sacks), Francisco Goya, in or after 1816Francisco de GoyaLos ensacados (The Men in Sacks)in or after 1816Národní galerie ve Washingtonu
Disparate furioso (Furious Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate furioso (Furious Folly)in or after 1816Národní galerie ve Washingtonu
El agorratado (The Garroted Man), Francisco Goya, published 1868Francisco de GoyaEl agorratado (The Garroted Man)published 1868Galerie umění Yaleovy univerzity
Disparate puntual (Punctual Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–1823, published late 19th centuryFrancisco de GoyaDisparate puntual (Punctual Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)ca. 1816–1823, published late 19th centuryGalerie umění Yaleovy univerzity
Disparate general (General Folly), also known as Unas de Gato y Habito de Beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaDisparate general (General Folly), also known as Unas de Gato y Habito de Beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Galerie umění Yaleovy univerzity
Y no hai [sic] remedio (And There's No Help for It), pl. 15 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaY no hai [sic] remedio (And There's No Help for It), pl. 15 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Galerie umění Yaleovy univerzity
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