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Poválečné umění, 1945–1975

223 220 děl z 458 muzeí1 980 právě vystaveno Zrušit

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Á toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróÁ toute épreuve (Proof Against All)1947–58, published 1958Muzeum moderního umění

Woman and Bird in Front of the Moon (Femme et oiseau devant la lune), Joan Miró, 1947

Joan MiróWoman and Bird in Front of the Moon (Femme et oiseau devant la lune)1947Muzeum moderního umění

Untitled from Flight, Joan Miró, 1966, published 1971

Joan MiróUntitled from Flight1966, published 1971Muzeum moderního umění

Plate (folio 27 verso) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers), Joan Miró, 1971

Joan MiróPlate (folio 27 verso) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers)1971Muzeum moderního umění

Plate (page 37) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróPlate (page 37) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

In-text plate (page 97) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 97) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

Rebecca Ginsberg, Buba, wife of Pincus, laundry-man later tobacco store owner, my paternal grandmother (b. Russia near Kaminetz-Podolska May 1869–d. July 1962) visiting her elder son Louis’ house, here 84 years old at table for Seder preparations. She’d attended Adult Education English classes in Newark 14 years earlier, written patriotic essay declaring “God Blast America!” Younger son Uncle Abe & daughters Aunt Rose, Clara & H.S. teacher Hannah were her children. Dining room 428 East 34th Street, Paterson New Jersey April 1953., Allen Ginsberg, 1953, printed later

Allen GinsbergRebecca Ginsberg, Buba, wife of Pincus, laundry-man later tobacco store owner, my paternal grandmother (b. Russia near Kaminetz-Podolska May 1869–d. July 1962) visiting her elder son Louis’ house, here 84 years old at table for Seder preparations. She’d attended Adult Education English classes in Newark 14 years earlier, written patriotic essay declaring “God Blast America!” Younger son Uncle Abe & daughters Aunt Rose, Clara & H.S. teacher Hannah were her children. Dining room 428 East 34th Street, Paterson New Jersey April 1953.1953, printed laterNárodní galerie ve Washingtonu

In-text plate (page 74) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 74) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

Louis Marker, Jacksonville Florida. Bill Burroughs friend from Mexico City. I visited December 1953., Allen Ginsberg, 1953, printed later

Allen GinsbergLouis Marker, Jacksonville Florida. Bill Burroughs friend from Mexico City. I visited December 1953.1953, printed laterNárodní galerie ve Washingtonu

In-text plate (page 93) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 93) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

William Burroughs, kitchen table, burlap bag of Yage brought back from Amazonas, 206 E. 7 St. NY. 1953. That's the bedroom standing closet through door behind his shoulder-- we slept there, time of _Yage Letters_ & _Queer_ mss., Allen Ginsberg, 1953, printed later

Allen GinsbergWilliam Burroughs, kitchen table, burlap bag of Yage brought back from Amazonas, 206 E. 7 St. NY. 1953. That's the bedroom standing closet through door behind his shoulder-- we slept there, time of _Yage Letters_ & _Queer_ mss.1953, printed laterNárodní galerie ve Washingtonu

Donald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953., Allen Ginsberg, 1953, printed 1990

Allen GinsbergDonald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953.1953, printed 1990Národní galerie ve Washingtonu

Title page from Album 13, Joan Miró, 1948

Joan MiróTitle page from Album 131948Muzeum moderního umění

Lafcadio, 17, and Peter Orlovsky, 22, at door their apartment 5 Turner Terrace, S.F. 1956, Lafcadio looking for a job was cutting school, Peter was worried. These were new-built cheap rent veteran's apartments on Potrero Hill dominated by a giant gas tank., Allen Ginsberg, 1956, printed 1995

Allen GinsbergLafcadio, 17, and Peter Orlovsky, 22, at door their apartment 5 Turner Terrace, S.F. 1956, Lafcadio looking for a job was cutting school, Peter was worried. These were new-built cheap rent veteran's apartments on Potrero Hill dominated by a giant gas tank.1956, printed 1995Národní galerie ve Washingtonu

Monument, Joan Miró, Gallifa, 1956

Joan MiróMonumentGallifa, 1956Muzeum moderního umění

Neal Cassady New York 1964 on visit with Ken Kesey's bus., Allen Ginsberg, 1964, printed later

Allen GinsbergNeal Cassady New York 1964 on visit with Ken Kesey's bus.1964, printed laterNárodní galerie ve Washingtonu

Carl Solomon in his Prince Street apartment several years after we were locked up together in residence on Sixth Floor ward, New York State Psychiatric Institute. He got shock treatments, introduced me to Jean Genet’s _Miracle of the Rose_ and Antonin Artaud’s _Van Gogh, The Man Suicided by Society_ translations, I stayed eight months, weekends off. Afterwards, working mid-town at his uncle’s Ace Books publications, he gave Kerouac small advance on first _On the Road_ sketches (scroll later rejected), saw Jaime DeAngulo’s classic _Indian Tales_ first hard-back through press, & edited William Burroughs’ _Junkie_ paperback first edition. New York, 1953., Allen Ginsberg, 1953, printed 1995

Allen GinsbergCarl Solomon in his Prince Street apartment several years after we were locked up together in residence on Sixth Floor ward, New York State Psychiatric Institute. He got shock treatments, introduced me to Jean Genet’s _Miracle of the Rose_ and Antonin Artaud’s _Van Gogh, The Man Suicided by Society_ translations, I stayed eight months, weekends off. Afterwards, working mid-town at his uncle’s Ace Books publications, he gave Kerouac small advance on first _On the Road_ sketches (scroll later rejected), saw Jaime DeAngulo’s classic _Indian Tales_ first hard-back through press, & edited William Burroughs’ _Junkie_ paperback first edition. New York, 1953.1953, printed 1995Národní galerie ve Washingtonu

Double page plate (between pages 60 and 61) from King Roi (Ubu Roi), Joan Miró, 1966

Joan MiróDouble page plate (between pages 60 and 61) from King Roi (Ubu Roi)1966Muzeum moderního umění

In-text plate (page 85) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 85) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

Young Girl, Joan Miró, 1948

Joan MiróYoung Girl1948Muzeum moderního umění

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen GinsbergWise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_....1957, printed 1995Národní galerie ve Washingtonu

Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957

Joan MiróPlate IX from The Ring of Dawn Suite (Suite la bague d'aurore)1957Muzeum moderního umění

Beclouded Person, Joan Miró, 1955

Joan MiróBeclouded Person1955Muzeum moderního umění

Colophon page from Album 13, Joan Miró, 1948

Joan MiróColophon page from Album 131948Muzeum moderního umění

Gregory Corso on Boulevard Pasteur Tangier 1961. Psilocybin Days. Arab & French Posters., Allen Ginsberg, 1961, printed later

Allen GinsbergGregory Corso on Boulevard Pasteur Tangier 1961. Psilocybin Days. Arab & French Posters.1961, printed laterNárodní galerie ve Washingtonu

One of the most beautiful stranger's faces I ever saw. Lance Hendrickson, Tangier, Allen Ginsberg, 1961, printed later

Allen GinsbergOne of the most beautiful stranger's faces I ever saw. Lance Hendrickson, Tangier1961, printed laterNárodní galerie ve Washingtonu

In-text plate (page 24) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 24) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

In-text plate (page 16) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 16) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

Le Lézard aux plumes d'or (The Lizard with Golden Feathers), Joan Miró, 1971

Joan MiróLe Lézard aux plumes d'or (The Lizard with Golden Feathers)1971Muzeum moderního umění

Frontispiece from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróFrontispiece from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

In-text plate (folio 25 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 25 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Muzeum moderního umění

In-text plate (page 64) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 64) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

Headpiece (colophon) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróHeadpiece (colophon) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

Tailpiece (page 58) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróTailpiece (page 58) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

Frontispiece from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróFrontispiece from À toute épreuve (Proof Against All)1947–58, published 1958Muzeum moderního umění

Peter Orlovsky's clear inquiring eye in sunlight, Gregory Corso visiting our room, Tangier, Allen Ginsberg, 1961, printed later

Allen GinsbergPeter Orlovsky's clear inquiring eye in sunlight, Gregory Corso visiting our room, Tangier1961, printed laterNárodní galerie ve Washingtonu

Untitled, Joan Miró, 1947

Joan MiróUntitled1947Muzeum moderního umění

Moonbird, Joan Miró, 1966

Joan MiróMoonbird1966MoMA, 1. patro, Sculpture GardenMuzeum moderního umění

Plate (folio 29) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers), Joan Miró, 1971

Joan MiróPlate (folio 29) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers)1971Muzeum moderního umění

Plate (page 11) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróPlate (page 11) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

Plate (page 99) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróPlate (page 99) from Parler seul (Speaking Alone)1948–50, published 1950Muzeum moderního umění

Double page plate (between pages 28 and 29) from King Ubu (Ubu Roi), Joan Miró, 1966

Joan MiróDouble page plate (between pages 28 and 29) from King Ubu (Ubu Roi)1966Muzeum moderního umění

I met Lance Hendrickson by accident Tangier 1961 & took his picture, Allen Ginsberg, 1961, printed later

Allen GinsbergI met Lance Hendrickson by accident Tangier 1961 & took his picture1961, printed laterNárodní galerie ve Washingtonu

Variant of plate (page 45) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head), Joan Miró, 1947–49, published 1949

Joan MiróVariant of plate (page 45) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)1947–49, published 1949Muzeum moderního umění

Untitled, Joan Miró, 1947, published 1952–53

Joan MiróUntitled1947, published 1952–53Muzeum moderního umění

In-text plate (folio 18) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 18) from À toute épreuve (Proof Against All)1947–58, published 1958Muzeum moderního umění

In-text plate (folio 31) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 31) from À toute épreuve (Proof Against All)1947–58, published 1958Muzeum moderního umění

Plate 7 from Album 13, Joan Miró, 1948

Joan MiróPlate 7 from Album 131948Muzeum moderního umění

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