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Sbírky: Clevelandské muzeum umění, Cooper Hewitt, Smithsonian Design Museum, Ermitáž, Galerie umění Yaleovy univerzity, Gettyho vila, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Institut umění v Chicagu, Louvre, Metropolitní muzeum umění, Minneapoliský institut umění, Muzeum amerického umění Whitneyové, Muzeum J. Paula Gettyho, Muzeum moderního umění, Národní galerie ve Washingtonu, Národní portrétní galerie, National Museum of Asian Art, Puškinovo muzeum, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Státní muzeum umění, Státní ruské muzeum, Treťjakovská galerie, Victoria and Albert Museum, Yale Center for British Art, Státní katalog Muzejního fondu Ruska (274 muzeí), Europeana (19 muzeí), Wikidata (44 muzeí), Paris Musées (12 muzeí), Joconde, databáze muzeí francouzského ministerstva kultury (495 muzeí) a Catalogo generale dei Beni Culturali italského ministerstva kultury (25 muzeí). Práva k obrázkům náleží jejich držitelům.

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The Bard Singing Owen's Praise (Design 89), William Blake, between 1797 and 1798William BlakeThe Bard Singing Owen's Praise (Design 89)between 1797 and 1798Yale Center for British Art
"Los howld in a dismal stupor..." (Plate 10), William Blake, 1794William Blake"Los howld in a dismal stupor..." (Plate 10)1794Yale Center for British Art
Satan Approaching the Court of Chaos, William Blake, 1784 to 1785William BlakeSatan Approaching the Court of Chaos1784 to 1785Yale Center for British Art
Elizabeth. "Girt with many a Baron bold..." (Design 63), William Blake, between 1797 and 1798William BlakeElizabeth. "Girt with many a Baron bold..." (Design 63)between 1797 and 1798Yale Center for British Art
"Albion thy fear has made me tremble..." (Plate 22), William Blake, 1804 to 1820William Blake"Albion thy fear has made me tremble..." (Plate 22)1804 to 1820Yale Center for British Art
"From every-one of the Four Regions..." (Plate 18), William Blake, 1804 to 1820William Blake"From every-one of the Four Regions..." (Plate 18)1804 to 1820Yale Center for British Art
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113), William Blake, between 1797 and 1798William Blake"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)between 1797 and 1798Yale Center for British Art
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43), William Blake, between 1797 and 1798William Blake"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)between 1797 and 1798Yale Center for British Art
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4), William Blake, 1789William BlakeI, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)1789Yale Center for British Art
"At the chapel-door stand sentry... (Design 31), William Blake, between 1797 and 1798William Blake"At the chapel-door stand sentry... (Design 31)between 1797 and 1798Yale Center for British Art
"Silent as despairing love, and strong as jealousy..." (Plate 4), William Blake, 1793William Blake"Silent as despairing love, and strong as jealousy..." (Plate 4)1793Yale Center for British Art
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8), William Blake, 1789William BlakeIV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)1789Yale Center for British Art
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7), William Blake, 1789William BlakeIII, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)1789Yale Center for British Art
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8), William Blake, 1793William Blake"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)1793Yale Center for British Art
"Hurry, hurry, to the field!" Design 75), William Blake, between 1797 and 1798William Blake"Hurry, hurry, to the field!" Design 75)between 1797 and 1798Yale Center for British Art
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5), William Blake, 1794William BlakeChapter I, "Lo, a shadow of horror is risen..." (Plate 5)1794Yale Center for British Art
Ode on a Distant Prospect of Eton College; Title Page, William Blake, between 1797 and 1798William BlakeOde on a Distant Prospect of Eton College; Title Pagebetween 1797 and 1798Yale Center for British Art
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2), William Blake, 1794William BlakePreludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)1794Yale Center for British Art
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24), William Blake, 1794William BlakeChapter VIII, "Of life on his forsaken mountains..." (Plate 24)1794Yale Center for British Art
Epitaph on Mrs. Clarke; Title Page, William Blake, between 1797 and 1798William BlakeEpitaph on Mrs. Clarke; Title Pagebetween 1797 and 1798Yale Center for British Art
Chapter IV, "Los smitten with astonishment..." (Plate 12), William Blake, 1794William BlakeChapter IV, "Los smitten with astonishment..." (Plate 12)1794Yale Center for British Art
"The Ox in the slaughter house moans..." (Plate 26), William Blake, 1794William Blake"The Ox in the slaughter house moans..." (Plate 26)1794Yale Center for British Art
A Woody Landscape, William Blake, ca. 1801William BlakeA Woody Landscapeca. 1801Yale Center for British Art
Chapter II, "Muster around the bleak desarts..." (Plate 6), William Blake, 1794William BlakeChapter II, "Muster around the bleak desarts..." (Plate 6)1794Yale Center for British Art
"The red limb'd Angel siez'd in horror and torment..." (Plate 15), William Blake, 1794William Blake"The red limb'd Angel siez'd in horror and torment..." (Plate 15)1794Yale Center for British Art
America, A Prophecy; Title Page (Plate 2), William Blake, 1793William BlakeAmerica, A Prophecy; Title Page (Plate 2)1793Yale Center for British Art
"Him the dog of darkness spied..." (Design 79), William Blake, between 1797 and 1798William Blake"Him the dog of darkness spied..." (Design 79)between 1797 and 1798Yale Center for British Art
"In thoughts perturb'd they rose..." (Plate 11), William Blake, 1794William Blake"In thoughts perturb'd they rose..." (Plate 11)1794Yale Center for British Art
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3), William Blake, 1794William BlakePreludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)1794Yale Center for British Art
Europe a Prophecy; Title Page (Plate 2), William Blake, 1794William BlakeEurope a Prophecy; Title Page (Plate 2)1794Yale Center for British Art
Albion's Angel; Frontispiece (Plate 1), William Blake, 1793William BlakeAlbion's Angel; Frontispiece (Plate 1)1793Yale Center for British Art
Laughing Song (Plate 28), William Blake, 1789William BlakeLaughing Song (Plate 28)1789Yale Center for British Art
Praying Child and Howling Dog (Plate 25), William Blake, 1794William BlakePraying Child and Howling Dog (Plate 25)1794Yale Center for British Art
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61), William Blake, between 1797 and 1798William Blake"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)between 1797 and 1798Yale Center for British Art
"But when they saw Albion fall'n..." (Plate 20), William Blake, 1804 to 1820William Blake"But when they saw Albion fall'n..." (Plate 20)1804 to 1820Yale Center for British Art
An Angel with a Trumpet, William Blake, between 1805 and 1808William BlakeAn Angel with a Trumpetbetween 1805 and 1808Yale Center for British Art
Sealing the Stone and Setting a Watch, William Blake, 1800 to 1803William BlakeSealing the Stone and Setting a Watch1800 to 1803Yale Center for British Art
The First Book of Urizen; Title Page (Plate 1), William Blake, 1794William BlakeThe First Book of Urizen; Title Page (Plate 1)1794Yale Center for British Art
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25), William Blake, between 1797 and 1798William Blake"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)between 1797 and 1798Yale Center for British Art
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33), William Blake, between 1797 and 1798William Blake"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)between 1797 and 1798Yale Center for British Art
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6), William Blake, 1789William BlakeIII. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)1789Yale Center for British Art
The Bard Weaving Edwards Fate (Design 55), William Blake, between 1797 and 1798William BlakeThe Bard Weaving Edwards Fate (Design 55)between 1797 and 1798Yale Center for British Art
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10), William Blake, 1793William Blake"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)1793Yale Center for British Art
Chapter IV, "Ages on ages roll'd over him..." (Plate 13), William Blake, 1794William BlakeChapter IV, "Ages on ages roll'd over him..." (Plate 13)1794Yale Center for British Art
Songs of Innocence, Frontispiece (Plate 1), William Blake, 1789William BlakeSongs of Innocence, Frontispiece (Plate 1)1789Yale Center for British Art
The Prophetess Rising from Her Grave (Design 81), William Blake, between 1797 and 1798William BlakeThe Prophetess Rising from Her Grave (Design 81)between 1797 and 1798Yale Center for British Art
Urizen Swims through Dark Waters (Plate 7), William Blake, 1794William BlakeUrizen Swims through Dark Waters (Plate 7)1794Yale Center for British Art
Introduction (Plate 34), William Blake, 1794William BlakeIntroduction (Plate 34)1794Yale Center for British Art
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