Vampire II, Edvard Munch, 1895-1902, probably printed 1913
Edvard Munch, portrétEdvard MunchNorsko, 1863–1944

Vampire II

1895-1902, probably printed 1913 · Print

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Kde je teď „Vampire II“? Sbírka: Harvard Art Museums, Cambridge. Momentálně není vystaveno. Ověřeno 2. listopadu 2026.

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Cambridge, Spojené státy americké

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Podrobnosti

Inventární číslo
2023.571

V katalogu

Zdroje

  • Harvard Art Museums
  • Obrázek: Harvard Art Museums — © President and Fellows of Harvard College

V životě: Edvard Munch

Celý životopis
  1. 1893

    The "Love" Exhibition: Beginning of "The Frieze of Life"

    At an exhibition on Unter den Linden he showed, among other works, six paintings under the title "Studies for a Series: Love" — the beginning of the cycle later named "The Frieze of Life — a Poem about Life, Love and Death."

  2. 1896

    Meetings with Gauguin and the Symbolists in Paris

    During an important stay in Paris he met Gauguin, Émile Bernard, Maurice Denis, and Symbolist poets, notably Mallarmé. At this time he turned to etching, woodcut, and lithography.

  3. 1896

    Exhibition at the Maison de l'Art Nouveau

    Siegfried Bing showed 60 of Munch's works, including "The Kiss," "The Scream," "Madonna," and "The Sick Child." The exhibition introduced the French public to the artist's work.

  4. 1902

    The Revolver Incident

    After Tulla Larsen's suicide attempt and a mysterious quarrel, Munch shot himself through the hand and was hospitalized. The relationship with Tulla ended, but the artist's mental wellbeing was badly shaken.

  5. 1902

    "The Frieze of Life" Complete at the Berlin Secession

    "The Frieze of Life" was exhibited for the first time in the form the artist had conceived, at the gallery of the Berlin Secession; Munch wrote of the show's "symphonic effect." Here he gained long-standing patrons, Albert Kollmann and Max Linde.

  6. autumn 1908

    Nervous Breakdown and Dr. Jacobson's Clinic

    Amid heavy drinking, hallucinations, and persecution mania, Munch entered Daniel Jacobson's clinic in Copenhagen, where he spent about eight months. The treatment stabilized his condition; after his return to Norway in 1909 his painting became lighter and more optimistic.

Všechna díla

Vystaveno: Harvard Art Museums

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