Untitled, Kurt Schwitters, 1919
Kurt Schwitters, portrétKurt SchwittersNěmecko, 1887–1948

Untitled

1919 · Print

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Kde je teď „Untitled“? Sbírka: Národní galerie ve Washingtonu, Washington, D.C. Momentálně není vystaveno. Ověřeno 2. listopadu 2026.

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Washington, D.C., Spojené státy americké

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Podrobnosti

Inventární číslo
1994.60.59

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V životě: Kurt Schwitters

Celý životopis
  1. 1918

    Germany’s collapse transforms his art

    Germany’s economic, political and military collapse at the end of the First World War changes his art dramatically: by his own account, what he had learned at the academy was of no use and new things had to be made out of the fragments — this is Merz, like a revolution within him.

  2. 1918

    Hanover Secession show and contact with Walden

    After showing Expressionist paintings at the Hanover Secession, Schwitters comes into contact with Herwarth Walden, whose gallery Der Sturm is in Berlin.

  3. 1918

    Two ‘Abstractions’ at the Der Sturm gallery

    At Walden’s gallery in Berlin he shows two ‘Abstraktionen’, semi-abstract Expressionist landscapes.

  4. autumn 1918

    Meets the Berlin avant-garde

    He meets Raoul Hausmann, Hannah Höch and Jean Arp; Hausmann recalled how Schwitters introduced himself at the Café des Westens: ‘I’m a painter,’ he said, ‘and I nail my pictures together.’ He remains close to Höch and Hausmann for the rest of his career.

  5. 1919

    First solo exhibition at Der Sturm

    His first solo exhibition opens at the Der Sturm gallery in Berlin in June 1919; together with the poem published that August, it makes him a well-known artist by the end of the year.

  6. August 1919

    The poem ‘An Anna Blume’ is published

    The Dadaist, nonsensical love poem ‘An Anna Blume’ is published in August 1919, with the word ‘Dada’ on its cover.

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Vystaveno: Národní galerie ve Washingtonu

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