Joan MiróŠpanělsko, 1893–1983Untitled
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Kde je teď „Untitled“? Sbírka: Institut umění v Chicagu, Chicago. Momentálně není vystaveno. Ověřeno 2. listopadu 2026.
Chicago, Spojené státy americké
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O díle
The forms of Joan Miró’s drawn elements in Untitled are schematically rendered yet recognizable. A conical, tipped weathervane, planets and comets in orbit, and a flaming horizon line are interrupted by the abstract geometries of collaged circles of rust, brown, tan, and white paper.
Untitled is one of 22 large-scale chromatically austere collages Miró made between July and November 1929. In these works, he kept his drawn lines to a minimum. Miró described his collages as “drawings with new explorations into substance,” and as “training exercises, shadowboxing, so as to hit harder and harder, in a tougher and more energetic way.”
Institut umění v ChicaguCC BY 4.0
Podrobnosti
- Inventární číslo
- 2022.86
V katalogu
Zdroje
- Institut umění v Chicagu
- Obrázek: Institut umění v Chicagu — © the artist or rights holder
V životě: Joan Miró
Celý životopissecond half of the 1920s
A language of signs and ideograms
In “Person Throwing a Stone at a Bird” and “Dog Barking at the Moon” (both 1926) a set of recurrent ideograms took shape: symbols of space — horizon, waves, heavenly bodies — and “mediating symbols” — birds, a ladder to the sky, an eye, an ear, a figure with giant feet.
12 October 1929
Marries Pilar Juncosa
In Palma de Mallorca Miró married Pilar Juncosa, a native of the island.
from the 1930s
The “assassination of painting”
From the 1930s Miró said in interviews that he despised conventional painting methods as props of bourgeois society and declared an “assassination of painting”. Against Cubism, by then an established form, he vowed to “break their guitar”, meaning Picasso's.
17 July 1930
Birth of his daughter María Dolores
Miró and Pilar had a daughter, María Dolores.
17. července 1930
Daughter born: Maria Dolors Miró
1931
The Pierre Matisse Gallery introduces Miró to America
Pierre Matisse opened a gallery in New York and represented Miró from the outset, exhibiting his work often and introducing it to the American market.
