Spanish Dancer (Second State), Edgar Degas, modeled probably ca. 1884, cast 1920
Edgar Degas, portrétEdgar DegasFrancie, 1834–1917

Spanish Dancer (Second State)

modeled probably ca. 1884, cast 1920 · Sculpture-Bronze

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Kde je teď „Spanish Dancer (Second State)“? Metropolitní muzeum umění, Sál 814, New York. Ano, právě vystaveno. Ověřeno 9. listopadu 2026.

Metropolitní muzeum umění

New York, Spojené státy americké

SálSál 814

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O soše

Spanish Dancer (Second State) is a figure by Edgar Degas, probably modelled around 1884, in New York's Metropolitan Museum of Art. This 1920 bronze belongs to the posthumous casts made by the Hébrard firm. The nude dancer is 43.2 cm tall; the sculpture's width is 21.3 cm and its depth 15.2 cm. It is displayed in Gallery 814.

Podrobnosti

Inventární číslo
29.100.395

Co zobrazuje

V katalogu

Zdroje

V životě: Edgar Degas

Celý životopis
  1. by 1882

    His eyesight sharply worsens

    By 1882 Degas's eyesight began to worsen sharply: he turned to pastel and then to sculpture, where he could rely more on touch.

  2. 1886

    The eighth exhibition: pastel nudes, and the end of the group

    At the last Impressionist exhibition Degas showed a suite of pastel nudes, which drew more critical writing than anything else in his lifetime, mostly laudatory. The group broke up, partly through rancour over the inclusion of non-Impressionists such as Forain and Raffaëlli.

  3. after 1886

    Into the shadows: he stops exhibiting

    After 1886 Degas stopped exhibiting and sold his pictures at high prices through a narrow circle of agents. By the end of the decade he had in effect fulfilled his wish to be “famous and unknown”, withdrawing among close friends.

  4. 1890s

    The Dreyfus Affair: a break with his Jewish friends

    The Dreyfus Affair intensified Degas's antisemitism: by the mid-1890s he had broken with all his Jewish friends and refused to use models he thought might be Jewish; the affair also set him at odds with Mary Cassatt. He remained among the Anti-Dreyfusards until his death.

  5. 1912

    A forced move, and the end of his work

    In 1912 the impending demolition of his house on the rue Victor Massé, where he had lived for years, forced Degas to move to the Boulevard de Clichy; he apparently ceased working then, although he is known to have used pastel as late as the end of 1907 and is believed to have made sculptures until 1910. In his last years, nearly blind and unmarried, he wandered restlessly through the streets of Paris.

  6. 27. září 1917

    Died

Všechna díla

Ve stejném sále · Gallery 814, Metropolitní muzeum umění

Stránka muzea

Na stejné téma · Female nude

Všechna díla na toto téma